• Mekan ve Harabe İlişkisi 

      Aras, Özlem Elif (Güzel Sanatlar Enstitüsü, 2019)
      With the effect of many varying activities and conditions, spatial buildings in ruins and desolation sometimes turns into a resistance area, and sometimes a memorial token or a space where creative experiences can be ...
    • Özgün Seramik Formlarda Ajur Tekniği Uygulamaları 

      Türkcan , Müzeyyen (Güzel Sanatlar Enstitüsü, 2019)
      In the first part of the thesis, a short introduction to the ceramic decors is made. Afterwards, Along with its definition, the history of ceramic decors, is given in a short section. Then in the first part, ceramic decor ...
    • Seramik Sanatında Kadın Figürü Bağlamında Özgün Uygulamalar 

      Özkan, Tuğba (Güzel Sanatlar Enstitüsü, 2019)
      The female figure has often been a source of inspiration of the arts. In this dissertation, the female body is deformed as result of breast cancer which is common in recent years has interpreted in an original form of ...
    • Kent ve Arazi Olgusunun Çağdaş Seramik Formlarda Yansımaları 

      Şendal, Ezgi (Güzel Sanatlar Enstitüsü, 2019)
      The report, based on the subject; 'The Reflections of the City and Land Phenomenon in Contemporary Ceramic Forms', consists of the world in which the artist lives, the society, culture, the landscapes he sees and the ...
    • Gölge Oyunu ve Kuklaların Seramik Formlarda Yansımaları 

      Artaç, Reyhan (Güzel Sanatlar Enstitüsü, 2019)
      Art is one of the most important elements that reflects the spiritual accumulation of the society in which it exists and carries it into the future, whether it is known or not. Therefore, art must be passed down from ...
    • Anadolu Selçuklu Çinilerindeki Kanatlı Figür Betimlemelerinin Seramik Form ve Yüzeylerde Yorumları 

      Kurt Kırtay, Koza (Güzel Sanatlar Enstitüsü, 2019)
      ‘’The Descriptions of Winged Figure in Anatolian Seljuk’s Tiles and Comments on Ceramic Surface ‘’ consist of 4 main part. ‘’Anatolian Seljuk Period Tile Art and Being Used Figures of Ornament‘’ titled in the first part; ...
    • Sanatta Kendilik ve Kişisel Tarihin Anlatımı Kapsamında Öznel Uygulamalar 

      Tüfekci Ardıç, Işıl (Güzel Sanatlar Enstitüsü, 2019)
      For a long time, it has been the most familiar form of production that the individual has transformed the connections in his own life into art object by reflecting the inner world by being influenced from the external ...
    • Kentsel Mekanda Ayrışmanın Gündelik Hayata ve Kişisel Sanat Pratiğine Etkisi 

      Havası, Esma Burcu (Güzel Sanatlar Enstitüsü, 2019)
      Cities, where more than half of the world’s populations live, have been governed, spatially decomposed and occupied by the powerful since they were founded. This process, which became more layered with Modernism, has led ...
    • Plastik Dilde Toplumsal Farkındalık İçin Bir Söylem Sahası: Ekososyalizm 

      Köseoğlu Ulubatlı, Sevinç (Güzel Sanatlar Enstitüsü, 2019)
      In the prevailing of today’s ecological destruction of nature; preservation of climate, ecosystem and biodiversity are possible with an approach based on real needs and measured consumption. Based on the German philosopher ...
    • Modüler Seramik Birimlerle Minimalist Yaklaşımlar 

      Aydın, Esma (Güzel Sanatlar Enstitüsü, 2019)
      Due to the accumulation in the field of plastic arts, it should be known that a society that has a say in ceramic art has already reached a certain level in other branches of art. Due to the organic and elastic nature of ...
    • Yansıma Kavramı Üzerinden İmgenin Oluşumu 

      Pişken , Servet (Güzel Sanatlar Enstitüsü, 2019-01)
      The subject of the image, which is deeply studied in the field of art, is actually a phenomenon used unconsciously in all its vital activities. Therefore, the image within the scope of this study; not only in the field of ...
    • Sanat Deneyiminde Eser Aracılığıyla Sanatçı-İzleyici Yapılanışı: Mekansal Eskizler 

      Morkoç, Mehtap (Güzel Sanatlar Enstitüsü, 2019-01)
      The study, which deals with the relationship between the artist and the audience, has been shaped by focusing on the change in these subject's own positions and the transitions between the periodic expression processes. ...
    • Pate De Verre Tekniği İle Form Uygulamaları 

      Güney , Resul (Güzel Sanatlar Enstitüsü, 2019-01-29)
      GÜNEY, Resul. Sıcak Cam Şekillendirme Pate De Verre Tekniği İle Hitit Güneş Kurslarının Sanatsal Bağlamda Yorumlanması, Yüksek Lisans Sanat Çalışması Raporu, Ankara, 2019 The technique of Pate De Verre, which is one of ...
    • Cam Füzyon Şekillendirme Tekniği ve Kişisel Uygulamalar 

      Birinci, Ayla (Güzel Sanatlar Enstitüsü, 2019-04)
      Glass Fusion Forming Technique and Personal Applications ve research was chosen as a matter of interest for glass artists and academic studies, especially in glass forming techniques. It is known that it has been applied ...
    • Yaratıcı Edimle Seramik Sanatında Nesnelerin Başkalaşımı 

      Aytepe, Hayri Mehmet (Güzel Sanatlar Enstitüsü, 2019-04-05)
      AYTEPE, Hayri Mehmet. “Metamorphosis of Objects via Creative Behaviours in Ceramic”, Art, Ph.D. Dissertation Art Work Report, Ankara, 2019. The artist and his works mutually change and develop each other. As the lead ...
    • Günümüz Toplumsal Hareketlerinin Özgün Seramik Form ve Yüzeylere Yansıması 

      Koyun, Fatih (Güzel Sanatlar Enstitüsü, 2019-05-30)
      ABSTRACT KOYUN, Fatih. “The Reflection of Contemporary Social Movements on the Original Ceramic Forms and Surface”. MSc Art Work Report, Ankara 2019. Throughout the ages, art has appeared in various forms. In the historical ...
    • Yuva Kavramının Seramik Form ve Yüzeylere Yansıması 

      Hasan, Deniz (Güzel Sanatlar Enstitüsü, 2019-05-30)
      ABSTRACT HASAN, Deniz. “The Reflection of the Concept of the Nest on Ceramic Form and Surface”, Master of Fine Arts Artwork’s Report, Ankara, 2019. In this study, the reflection of the nest concept on ceramic forms and ...
    • Orta Asya Şaman Ritüelleri Sembol ve Objelerinin Seramik Formlarda Yorumu 

      Bozdemir, Oğuz (Güzel Sanatlar Enstitüsü, 2019-07-04)
      Shamans and artists can be said to have similar characteristics in various aspects. Many artists, who do not qualify themselves as shamans, have been examined to determine that they may contain shamanic characteristics. ...
    • Mitoloji ve Anadolu Söylencelerinin Özgün Seramik Form ve Yüzeylere Yansıması 

      Değirmenci, Berfu Ceren (Güzel Sanatlar Enstitüsü, 2019-07-08)
      The legend of the Shahmaran, a creature both feared and admired, is an ancient tale that features prominently in Turkish culture and has been told for centuries in Anatolia. It is observed that the figure of the snake or ...
    • Hat Sanatının Seramik Form ve Yüzeylerdeki Çağdaş Yorumu 

      Bursa, Ülkü (Güzel Sanatlar Enstitüsü, 2019-07-19)
      The Arabic alphabet used in Islamic geography is especially respected for being the writing style of the Qur'an. In this geography where painting is prohibited, the search for beauty and aesthetics is found in the writing. ...