Bellek Metaforu ve Dönüşen İmgeler
Date
2021-07-12Author
Ünlüçoban, Betül
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In the report titled ‘’Memory Metaphor and Transforming Images’’ The memory areas in the past processes of the being affected by history, culture and social data were questions and applications were made considering these contexts. In this direction, the representation of the being that has come into contact with the object from the moment of its birth has been put forward by filling the gap between the metaphorical phenomenon and the object being. Thus,the fact that objects represent the place of ‘’things’’ in the field of art by removing them from the ordinary has questioned the concept of memory. In this context, in the first part of the report; ıt was investigated how the concepts of ‘memory’ and ‘metaphor’ emerged in the historical process, and focused on what the objects positioned as memory areas were.thus, it has been determined that the objects remind of the past knowledge that is about to be forgotten and create memory spaces in a metaphorical sense. In the second part; when the narratives in which individual and social memory continue to exist; It has been determined that traumans(war, destructions) are the subject of artist Works and it has been seen that the process of revealing the traces of the past that cannot reflect the truth reveals the metaphoric phenomenon. Thus, ithas been observed that metaphor is a from af expression of art. İn the third part, the concept of ‘ home’, which is the first moment of the self, was questioned and the memory of the objects placed in it was questioned. As a result, while the ‘being’ became the main character of this report, the ‘things’ that were the stops to reach the being were transformed into a work of art. In this context, the concepts of memory was questioned in order to reach existence, and the traces of the past located there were fictionalized with the language of today’s art.