Browsing Yaylı Çalgılar Bölümü Tez Koleksiyonu by Title
Now showing items 8-27 of 30
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Eduard Tubin Kontrabas Konçertosu ve İcrasındaki Zorluk Dereceleri’nin Ölçümü
(Güzel Sanatlar Enstitüsü, 2021-06)The double bass concerto, written by Estonian composer Eduard Tubin in 1948, greatly contributed to double bass repertoire. It can be said that this work, which is in the repertoires of musicians playing double bass today ... -
Ege Gür’ün Solo Viyolonsel için Sultanite Adlı Eserinin İncelenmesi
(Güzel Sanatlar Enstitüsü, 2023)After the proclamation of the Republic, with the breakthroughs that started in the field of art and the opening of academic institutions, trainings on Turkish Music studies and its adaptation on Western Music began. At the ... -
F. Mendelssohn Op.64 Mi Minör Keman Konçertosunun O.Sevcik’in Op. 21 Egzersizleri Üzerinden İncelenmesi
(Güzel Sanatlar Enstitüsü, 2022-09)German composer Felix Mendelssohn-Bartholdy is considered one of the most valuable composers of the 19th century. Composed by Mendelssohn and having a very important place in the violin repertoire, the violin concerto ... -
Hacettepe Üniversitesi Ankara Devlet Konservatuvarı Örnekleminde Viyolonsel İcra Tekniğine Bağlı Gelişebilecek Fizyolojik Rahatsızlıklar
(Güzel Sanatlar Enstitüsü, 2019)Violoncello training is a process that starts at an early age and can greatly affect both the musical and physical development of the individual. The development of violoncello training through the ages was not only to ... -
İgor Stravınsky’nin Re Majör Keman Konçertosu’nun, Keman Çalma Teknikleri Açısından İncelenmesi
(Güzel Sanatlar Enstitüsü, 2019)Igor Stravinsky is known as one of the artists who opened and led the Neo-Classical period. By invigorating Baroque and Classical period materials, the perspective he brought to the 20. Century made him quite famous in ... -
J. S. Bach'ın Bwv 1003 Numaralı Solo Keman Sonatı'na Farklı Stilistik Yaklaşımlar Üzerine Karşılaştırmalı Bir Performans Analizi
(Güzel Sanatlar Enstitüsü, 2023-03-07)In today's world, where "new" music is rarely included in concert programs compared to "old" music, early music interpretation as a concept is becoming a more popular phenomenon. It is not always possible to deduce how ... -
Johann Sebastian Bach’ın Sol Minör Viola Da Gamba ve Klavsen Sonatndaki Sembollerin İncelenmesi
(Güzel Sanatlar Enstitüsü, 2019)Johann Sebastian Bach rearranged a trio originally written for two flutes and bass and composed three sonatas for viola da gamba and harpsichord. According to Spitta, the g minor sonata, which is the third one of viola da ... -
Katalan Viyolonselci Gaspar Cassadó’nun İcracı, Besteci Ve Uyarlayıcı Yönleriyle İncelenmesi
(Güzel Sanatlar Enstitüsü, 2020-12-01)Gaspar Cassadó (1897-1966), who was born in Barcelona was one of the most important cellists with Catalan origin following Pau Casals, is not well recognized today. The main reason of this is that there are almost no ... -
Lajos Montag Kontrabas Metodu'nun (1) Teknik Açıdan İncelenmesi
(Güzel Sanatlar Enstitüsü, 2018)ABSTRACT KESKİN, Seçil İrem. A Technical Anaylsis of Lajos Montag Double Bass Method (1) Master of Arts Thesis, Ankara, 2018. This research, is designed to study the method of playing double bass techniques written by ... -
Ludwig Van Beethoven’in Op..24 No. 5 Fa Majör Piyano ve Keman İçin “İlkbahar” Sonatının Formal Analizi
(Güzel Sanatlar Enstitüsü, 2017)With his op. 24 it is the first time that Beethoven added the Scherzo-Trio movement to his piano and violin sonatas and composed a four-movement sonata for piano and violin. In addition, he gave the same importance to ... -
Ludwig Van Beethoven’in Op.5 No.1, No.2 Fortepiano ve Viyolonsel için Yazılmış Sonatlarının Armoni, Form ve Tarihsel Açıdan İncelenmesi
(Güzel Sanatlar Enstitüsü, 2017)In this study, Op.5 No.1, No.2 for fortepiano and Violoncello sonatas composed by the famous German composer of the classical period Ludwig van Beethoven is analyzed from a point of view of form, tonality, harmony ... -
Luigi Boccherini’nin G.2b Do Minör Viyolonsel Sonatının İncelenmesi
(Güzel Sanatlar Enstitüsü, 2024)In this study, in which Luigi Boccherini's C minor cello sonata is analysed from a general point of view, Boccherini's life and musical style, the general characteristics of his sonatas, the development of cello and ... -
Maurice Vieux "Vingt Etudes Pour Alto" Etüt Kitabının Müzikal ve Teknik Açıdan İncelenmesi
(Güzel Sanatlar Enstitüsü, 2022-12-19)Maurice Edgard Vieux who was a 20th century violist, composer and pedagogue had gotten his first viola training from Théophile Laforge who was the first viola instructor of Paris Conservatory that was built with innovations ... -
Max Reger Op.131d Sol Minör Birinci Viyola Suitinin Form, Stil ve Teknik Açıdan İncelenmesi
(Güzel Sanatlar Enstitüsü, 2022-10)Max Reger is seen as a composer who is among the late-Romantic period composers, bringing a different understanding to the style of the Romantic period and enabling it to gain new colors. It reached a great maturity in ... -
Nino Rota’nın Hayatı ve “Divertimento Konçertant” Başlıklı Eserinin Kontrabas Repertuvarına Katkısı
(Güzel Sanatlar Enstitüsü, 2021-12)Italian composer Nino Rota is one of the well-known composers of the 20th century, in recognition of reflecting his unique style on movie soundtracks and compositions. It is seen that the composer has gained worldwide ... -
Operalarda Yer Alan Seçilmiş Solo Keman Partilerinin İncelenmesi
(Güzel Sanatlar Enstitüsü, 2021-06)In this study, outstanding violin solos (concertmaster solos, duo solos, ensemble solos) in the literature of German, Italian, French and Turkish opera were examined and situations such as strengthening the expression, ... -
Paul Hindemith'in Hayatı ve Kontrabas Sonatının İncelenmesi
(Güzel Sanatlar Enstitüsü, 2018)Paul Hindemith, who is one of the most important composers of 20th century music, is a worldwide composer. He applied his own system by making innovations in harmony and tonality system. He has innovated his harmony ... -
Paul Hındemıth Op.11 No:4 Viyola Piyano Sonatı’nın Form, Stil Ve Viyola Tekniği Bakımından İncelenmesi
(Güzel Sanatlar Enstitüsü, 2021)ABSTRACT German composer Paul Hindemith, one of the leading composers of 20th century music, began his musical career by playing the violin and took this career to the extreme with his composition and viola interpretation. ... -
Pierre Gavinies’in 24 Etüdünün Keman Tekniğine Katkıları
(Güzel Sanatlar Enstitüsü, 2024-03-15)Etudes are basic materials that contribute to the technical development of performers and are also important for the development of musical skills. They have an important function in the instrument training of performers ... -
Romberg'den Klengel'e 19. Yüzyıl Alman Viyolonsel Okulunda Besteci Viyolonselciler ve 20. Yüzyıl Viyolonselcilerine Etkileri
(Sosyal Bilimler Enstitüsü, 2014)Until the nineteenth century, the violoncello was primarily considered as background accompaniment instrument. The answer to how the cello was emancipated from its ties to the bass line is found in Dresden, Germany. A group ...