Karşılıklı İnşacılık Miti Bağlamında Doğanın Modellendirilmesi
Özet
Considering the experimentalism of contemporary art, it seems insufficient to consider the
inclusion of live animals in artworks, which is the subject of discussion in this thesis, as ethical,
animal rights or only anthropocentric. While examining how the "ready-made" turns into a "ready
live", a field based on earth and ecology, encompassing cultures, geographies, living creatures and
even technology, without a language focus, without a masculine focus and away from human
centrism was needed. Therefore, within the framework of "posthumanist ecocriticism", which
adopts the principle of interdependence, asks what human morality is, and accepts the integrity and
symbiosis of all subjects called "other", the dilemma of the ready-live as art has been tried to be
revealed.
The myth of mutual constructionism naturally implies a non-dominated collaboration. The practical
works carried out within the scope of the thesis share the experience of establishing a partnership
with living animals. This mutuality is not only between animals and human beings, but is part of
the ongoing movement consisting of the becoming of animals, individually acquired knowledge,
experiments, human construction, and then the making of animals again.
Starting from the question "How does the artist, as the subject of the work of art that emerges with
animals, share their role with the animal and can we talk about ethics here?", the problem of subject,
sharing and ethics is opened to a discussion based on the earth in terms of the ready-live.
