Browsing Yaylı Çalgılar Bölümü by Issue Date
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Bela Bartok'un Keman Eserleri Birinci Keman Konçertosunun Müzik ve Çalma Tekniği Yönünden İncelenmesi
(Sosyal Bilimler Enstitüsü, 2012)The report examines the life of Béla Bartók, one of the major composers of the twentieth century, and his first violin concerto in terms of music and playing techniques. After a brief statement of the composer‟s life story ... -
Sergei Prokofiev'ın (Do Majör Op. 119) Viyolonsel Sonatının Form ve Viyolonsel Tekniği Açısından İncelenmesi
(Sosyal Bilimler Enstitüsü, 2013)Sergei Prokofiev is one of the great composers of the 20th century and his music reflects full of energy, creative spirit, coherent and joy of life. The strict adherence to the composer's musical traditions and his creativity ... -
Romberg'den Klengel'e 19. Yüzyıl Alman Viyolonsel Okulunda Besteci Viyolonselciler ve 20. Yüzyıl Viyolonselcilerine Etkileri
(Sosyal Bilimler Enstitüsü, 2014)Until the nineteenth century, the violoncello was primarily considered as background accompaniment instrument. The answer to how the cello was emancipated from its ties to the bass line is found in Dresden, Germany. A group ... -
Alexander Konstantinovich Glazunov’un Yaşamı ve Opus 82 La Minör Keman Konçertosu’nun İncelenmesi
(Güzel Sanatlar Enstitüsü, 2015)Alexander Konstantinovich Glazunov, who was born in St. Petersburg on 10 August 1865, is one of the last representatives of Russian romantic music. He followed in the footsteps of his tutor Rimski-Korsakov and by staying ... -
Ludwig Van Beethoven’in Op..24 No. 5 Fa Majör Piyano ve Keman İçin “İlkbahar” Sonatının Formal Analizi
(Güzel Sanatlar Enstitüsü, 2017)With his op. 24 it is the first time that Beethoven added the Scherzo-Trio movement to his piano and violin sonatas and composed a four-movement sonata for piano and violin. In addition, he gave the same importance to ... -
Ludwig Van Beethoven’in Op.5 No.1, No.2 Fortepiano ve Viyolonsel için Yazılmış Sonatlarının Armoni, Form ve Tarihsel Açıdan İncelenmesi
(Güzel Sanatlar Enstitüsü, 2017)In this study, Op.5 No.1, No.2 for fortepiano and Violoncello sonatas composed by the famous German composer of the classical period Ludwig van Beethoven is analyzed from a point of view of form, tonality, harmony ... -
Lajos Montag Kontrabas Metodu'nun (1) Teknik Açıdan İncelenmesi
(Güzel Sanatlar Enstitüsü, 2018)ABSTRACT KESKİN, Seçil İrem. A Technical Anaylsis of Lajos Montag Double Bass Method (1) Master of Arts Thesis, Ankara, 2018. This research, is designed to study the method of playing double bass techniques written by ... -
Paul Hindemith'in Hayatı ve Kontrabas Sonatının İncelenmesi
(Güzel Sanatlar Enstitüsü, 2018)Paul Hindemith, who is one of the most important composers of 20th century music, is a worldwide composer. He applied his own system by making innovations in harmony and tonality system. He has innovated his harmony ... -
Barok Müziğinde Dans Formu Ve Bach'ın "Bwv 1002" Numaralı Partitası
(Güzel Sanatlar Enstitüsü, 2018-10-22)The dances that form the partitas which Bach has written for solo violin, although they have taken their names from the movement-based (actional) dances of the era, they carry qualities of a highly original masterpiece ... -
Carl Stamıtz’in Re Majör Viyola Konçertosu ve Müzikte Klasik Dönem
(Güzel Sanatlar Enstitüsü, 2018-10-25)Even though the classical period is shorter than other periods, it has been the scene of radical changes in the history of music. With the great changes in musical forms and orchestral structure, the ornate and exaggerated ... -
İgor Stravınsky’nin Re Majör Keman Konçertosu’nun, Keman Çalma Teknikleri Açısından İncelenmesi
(Güzel Sanatlar Enstitüsü, 2019)Igor Stravinsky is known as one of the artists who opened and led the Neo-Classical period. By invigorating Baroque and Classical period materials, the perspective he brought to the 20. Century made him quite famous in ... -
Johann Sebastian Bach’ın Sol Minör Viola Da Gamba ve Klavsen Sonatndaki Sembollerin İncelenmesi
(Güzel Sanatlar Enstitüsü, 2019)Johann Sebastian Bach rearranged a trio originally written for two flutes and bass and composed three sonatas for viola da gamba and harpsichord. According to Spitta, the g minor sonata, which is the third one of viola da ... -
Hacettepe Üniversitesi Ankara Devlet Konservatuvarı Örnekleminde Viyolonsel İcra Tekniğine Bağlı Gelişebilecek Fizyolojik Rahatsızlıklar
(Güzel Sanatlar Enstitüsü, 2019)Violoncello training is a process that starts at an early age and can greatly affect both the musical and physical development of the individual. The development of violoncello training through the ages was not only to ... -
Katalan Viyolonselci Gaspar Cassadó’nun İcracı, Besteci Ve Uyarlayıcı Yönleriyle İncelenmesi
(Güzel Sanatlar Enstitüsü, 2020-12-01)Gaspar Cassadó (1897-1966), who was born in Barcelona was one of the most important cellists with Catalan origin following Pau Casals, is not well recognized today. The main reason of this is that there are almost no ... -
Paul Hındemıth Op.11 No:4 Viyola Piyano Sonatı’nın Form, Stil Ve Viyola Tekniği Bakımından İncelenmesi
(Güzel Sanatlar Enstitüsü, 2021)ABSTRACT German composer Paul Hindemith, one of the leading composers of 20th century music, began his musical career by playing the violin and took this career to the extreme with his composition and viola interpretation. ... -
Operalarda Yer Alan Seçilmiş Solo Keman Partilerinin İncelenmesi
(Güzel Sanatlar Enstitüsü, 2021-06)In this study, outstanding violin solos (concertmaster solos, duo solos, ensemble solos) in the literature of German, Italian, French and Turkish opera were examined and situations such as strengthening the expression, ... -
Eduard Tubin Kontrabas Konçertosu ve İcrasındaki Zorluk Dereceleri’nin Ölçümü
(Güzel Sanatlar Enstitüsü, 2021-06)The double bass concerto, written by Estonian composer Eduard Tubin in 1948, greatly contributed to double bass repertoire. It can be said that this work, which is in the repertoires of musicians playing double bass today ... -
Nino Rota’nın Hayatı ve “Divertimento Konçertant” Başlıklı Eserinin Kontrabas Repertuvarına Katkısı
(Güzel Sanatlar Enstitüsü, 2021-12)Italian composer Nino Rota is one of the well-known composers of the 20th century, in recognition of reflecting his unique style on movie soundtracks and compositions. It is seen that the composer has gained worldwide ... -
F. Mendelssohn Op.64 Mi Minör Keman Konçertosunun O.Sevcik’in Op. 21 Egzersizleri Üzerinden İncelenmesi
(Güzel Sanatlar Enstitüsü, 2022-09)German composer Felix Mendelssohn-Bartholdy is considered one of the most valuable composers of the 19th century. Composed by Mendelssohn and having a very important place in the violin repertoire, the violin concerto ... -
Max Reger Op.131d Sol Minör Birinci Viyola Suitinin Form, Stil ve Teknik Açıdan İncelenmesi
(Güzel Sanatlar Enstitüsü, 2022-10)Max Reger is seen as a composer who is among the late-Romantic period composers, bringing a different understanding to the style of the Romantic period and enabling it to gain new colors. It reached a great maturity in ...
