Hacettepe Üniversitesi Açık Erişim Sistemi (HÜAES)
- HÜAES, Hacettepe Üniversitesi bünyesinde üretilen kitap, makale, tez, bildiri, rapor gibi tüm akademik kaynakları uluslararası standartlarda dijital ortamda depolar, etkisini artırmak için telif haklarına uygun olarak Açık Erişime sunar.
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Türkiye'de Blues'un Tarihsel Süreci: Ankara Sahnesi
(Güzel Sanatlar Enstitüsü, 2026) Bengü Cömert; Müzikoloji
Blues music spread to many regions of the world throughout the 20th century, influencing the field of popular music. With a historical background rooted in the era of forced migration and slavery of African-descended communities in the United States, the blues has, over time, spread from its place of origin to different regions and interacted with various musical traditions. This study examines the arrival of blues music in Türkiye and its subsequent historical development in the capital city of Ankara. The study explores cultural phenomena such as musicians and groups that have played an active role in Ankara’s blues scene, as well as venues and music festivals.
This thesis draws upon a literature review, newspaper archives, documentaries, concert recordings, and interviews with musicians. In accordance with the methods employed, interviews were conducted with musicians and groups who made significant contributions to the formation and spread of the blues scene in Ankara; the data obtained from these interviews were evaluated in conjunction with written historical sources. Additionally, local musical examples that pioneered the spread of blues music aesthetics in Türkiye were selected, and their relationship with the blues was examined.
Research conducted throughout this study has shown that blues music began to spread in Türkiye primarily within the framework of blues-influenced rock music, rather than entering the country directly through the aesthetics of classic-era blues. In this process, the recognition of blues in Ankara dates back historically to the years following the founding of the Republic; its spread occurred primarily within diplomatic and bureaucratic circles following Ankara’s designation as the capital. Subsequently, institutions such as the Turkish-American Association, as well as university music festivals and entertainment venues, played a significant role in the transmission of blues music in Ankara.
As a result of this study, the historical development of blues music in the capital city of Ankara has been elucidated. The aim was thus to create a historical resource regarding the development of blues in Ankara and throughout Türkiye.
SANATTA UYKU TEMASI VE İŞİTSEL RÜYA İMGELERİ
(Güzel Sanatlar Enstitüsü, 2026-11-05) Gözde Akıncı; Resim
The relationship between sleep, dreams, and auditory imagery is examined within
the context of art history and the visual arts, beginning with its biological
foundations. The biological structure of sleep—a fundamental necessity for
maintaining human mental and physical balance—and the dream experience that
takes shape during REM and non-REM stages form the conceptual foundation of
this research.
Within the scope of this thesis, the dream experience is first examined through the
lens of insomnia, perception, imagery, and the construction of space. In the second
chapter, by tracing the traces of sleep and dreams in art history, the thesis explores
modernism, Odilon Redon’s images of nightmares, surrealism, and the relationship
between sound and music in painting. In the final section of the study, the lullaby is
evaluated as a threshold experience and an auditory image; it analyzes the use of
sound and the lullaby as a medium in the visual arts through the connection between
collective memory and the visual image.
The purpose of this study is to examine the process by which lullabies and sound—
as auditory elements in the transition from sleep to wakefulness—merge with visual
imagery in the plastic arts to become a contemporary work of art, and to highlight the
conceptual insights this process yields.
ZANAAT ARKEOLOJİSİ İZİNDE NEBİYAN TOPRAĞI: MALZEME ARAŞTIRMASINDAN SANATSAL ÜRETİME
(Güzel Sanatlar Enstitüsü, 2026) Yaren DEMİR; Seramik ve Cam
Local clay resources provide an opportunity to investigate the relationship between the technical properties of materials and their formal and artistic possibilities in ceramic art. The processes of preparing, shaping, and firing soil obtained from its natural environment are important not only for understanding the material's behavior during production but also for evaluating its potential for artistic expression. In this context, the aim of this research is to examine the possibilities of using clay-bearing soil obtained from the Nebiyan region of Samsun in ceramic production and to evaluate the relationship between the properties of the material and the artistic forming process.
The research employed literature review, field observations, photographic documentation, and practice-based material research methods. Within the framework of craft archaeology, early ceramic production practices, archaeological ceramic examples from the Samsun region, and the practices of contemporary artists working with natural clays were examined. During surface surveys conducted in accordance with local oral accounts, encountered fired clay fragments were documented, and samples were collected from clay-bearing soil deposits in the region. The collected material underwent various preparation processes and was transformed into vessel and figurative forms using wheel throwing, coil building, and hand-forming techniques. The produced forms were subjected to pit firing and electric kiln firing at 950 °C and were evaluated through observation in terms of surface characteristics, cracking, breakage, and structural integrity.
The results of the practical applications demonstrated that the prepared Nebiyan soil could be used to produce ceramic forms through different forming techniques. While breakage, deformation, and variations in surface color were observed during pit firing, most of the forms fired in the electric kiln maintained their structural integrity. Since mineralogical analyses and standardized physical tests were not conducted, the findings are limited to the examined samples and the conditions of the practical applications. The research concludes that the production process, from the preparation of local soil to firing, contributes to the evaluation of the relationship between material properties, formal choices, and artistic expression.
AMBALAJ TASARIMINDA İLERİ DÖNÜŞÜM: OKUL ÖNCESİ ÇOCUKLARA YÖNELİK BİR UYGULAMA
(Güzel Sanatlar Enstitüsü, 2026) Onur DERELİ; Grafik
This study examines upcycling in packaging design within the context of sustainability and explores how post-use functions can be planned from the outset of the design process. A qualitative approach was adopted. Written and visual documents were reviewed, and purposively selected packaging examples were descriptively evaluated for structural configuration, functional transformation, graphic guidance, modularity, and user participation. Chapter One addresses packaging definitions, history, functions, and types. Chapter Two examines sustainable packaging, the circular economy, and post-use approaches. Chapter Three discusses upcycling principles and graphic design’s role through packaging examples. Chapter Four considers preschool children’s developmental characteristics, interactions with packaging, and relevant design criteria. Chapter Five presents a packaging design project for children aged 36–72 months (3–6 years), informed by the theoretical review. A total of 120 packages were designed for the YUPY brand across four product lines: strawberry milk, cocoa-flavored milk, orange juice, and sour cherry juice. The cube-based modular structure was linked to proposed post-use activities, including character completion, animal matching, coloring, and creating different arrangements. The project illustrates how graphic design can communicate packaging’s second life and contribute to new functions through visual relationships between packages. The findings are limited to theoretical review and design analysis; evaluating the project’s pedagogical and environmental effects is reserved for future research.
Görsel Gerçeklik Algısının Bulanıklaşması
(Güzel Sanatlar Enstitüsü, 2026) Sümeyye Cincioğlu Ünsal; Resim
In a world where technology blurs the boundaries between real and virtual experiences, social norms shape our behavior, and our own minds can deceive us, the concepts of reality and perception are becoming increasingly complex. The fading of reality and the appeal of artificiality often take precedence over real-life social and natural interactions, leading to a distorted perception of reality. This thesis, titled The Blurring of Visual Reality Perception, aims to explore the layers of human experience by examining how our visual perception is shaped and altered. As technological developments make reality increasingly uncertain, they create ambiguity between the individual's inner and outer realities, while the personas projected into the digital world further intensify this situation. To understand this complexity, the thesis aims to investigate the relationship between what is real and what is perceived as real through artistic production. It explains concepts related to reality, presents artists who address the theme of reality in art, and discusses the artworks produced within the scope of the thesis.