Hacettepe Üniversitesi Açık Erişim Sistemi (HÜAES)
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Recent Submissions
YÜK GEMİLERİNDE MEKAN ALGISI, DAVRANIŞ VE KULLANIM İLİŞKİSİ
(Güzel Sanatlar Enstitüsü, 2026-07) Dilara Kılıç; İç Mimarlık ve Çevre Tasarımı
Cargo ships serve as both workplace and temporary home for seafarers, making the quality
of life on board a determining factor in their daily lives. It is known that physical
environmental factors encompassing living and working conditions on board may have
positive or negative effects on the functional and perceptual evaluations of seafarers (users).
While studies focusing on the psychological state of seafarers predominate in the literature,
spatial evaluation studies remain limited. Existing studies have focused on general comfort
and satisfaction levels or MLC compliance; no study has been found that addresses
perceptual and functional evaluation together with MLC standards. This study aimed to
determine the effects of physical environmental factors in cabins and common areas of cargo
ships on users' functional and perceptual evaluations. Additionally, recommendations were
developed for MLC (Maritime Labour Convention) standards to improve accommodation
spaces on ships.
In the study, users' evaluations of cabins and common areas were examined in terms of
functional (satisfaction, adequacy, behavior, and use) and perceptual (perceptual evaluation)
dimensions. The questionnaire was designed in a multidimensional manner using Likerttype, semantic differential, categorical selection, and open-ended questions. Rank group,
which is a key determinant in MLC standards, was used as the main variable in the
hypotheses. A total of 258 Turkish seafarers (users) from different ships participated in the
study, and ANOVA, chi-square, and Spearman correlation analyses were used in data
analysis. The findings show that the master/chief engineer group gave the most positive
cabin evaluations while the ratings group gave the most negative, and that cabin perceptions
varied by rank in a manner consistent with MLC standards. On the other hand, no statistically
significant difference was found in common area evaluations; however, a significant
relationship was found between space use and perceptual evaluation. Gross tonnage was
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found to be influential on cabin satisfaction, while ship type was influential on common area
evaluation.
Based on the findings, recommendations were made regarding the MLC for the clear
separation of common areas by function, the introduction of a floor area standard based on
crew size, and making gym facilities mandatory on ships over 3,000 GT. For future research,
it is recommended that sample groups be of equal or comparable size, and that the place of
build be included as a ship characteristic in evaluation. In conclusion, this study is original
in that the semantic differential scale was applied for the first time to measure users'
perceptual evaluations in cargo ships, functional and perceptual findings were interpreted in
relation to MLC accommodation space standards, and concrete recommendations were
developed accordingly; contributing to both interior architecture and maritime literature.
Keywords: Seafarer, accommodation spaces, space perception, MLC, semantic differential
scale, cargo ship, satisfaction.
TOPLUMSAL ROLLERİN OTOBİYOGRAFİK İMGELERLE ANLATIMI
(Güzel Sanatlar Enstitüsü, 2026-06-29) Fatma Çiftçi; Resim
The processes of identity construction and the gender roles produced within these
processes are reshaping the course of art history through the works of women
artists. In the 19th and 20th centuries, influenced by debates on identity developed in
continental philosophy, women artists have transformed their own experiences,
memories and traumas into works of art through biographical imagery. Particularly
in Turkey, the inclusion by women artists—who have been active since the 1980s—
of elements relating to local culture, social memory and everyday life in their works
highlights the decisive role of culture in identity construction processes. In the light
of theoretical insights obtained through qualitative research methods and a literature
review, the works produced within the scope of this thesis have been reinterpreted—
drawing on autobiographical narratives and utilizing discourses and imagery specific
to local culture—through various application methods and techniques such as
acrylic paint on fabric, screen printing, video collage and cross-stitch. In this thesis,
entitled ‘The Narration of Social Roles through Autobiographical Images’, the ways
in which gender representations are constructed, reproduced and made visible
within the framework of identity debates have been examined.
TOPLU KONUTLARDA MEKÂNSAL HİYERARŞİ: ANKARA TOKİ YERLEŞİMLERİNİN KARŞILAŞTIRMALI ANALİZİ
(2026) Şerife Miray Kirman; İç Mimarlık ve Çevre Tasarımı
The main problem addressed in this thesis is the relationship between recurring
spatial patterns and socio-economic differentiation in mass housing settlements
produced by TOKİ. Accordingly, the aim of the study is to examine selected
TOKİ settlements in Ankara within the framework of spatial uniformity and socio
economic differentiation and to comparatively evaluate the relationships
between public, semi-public, semi-private, and private spaces. The research
focuses on six TOKİ settlements developed for different income groups and
during different periods: Pursaklar Karacaören TOKİ (2005), Pursaklar
Kuzeykent TOKİ (2017), Eryaman TOKİ (2004), Eryaman TOKİ (2007),
Eryaman Göksupark Residences (2007), and İncek TOKİ (2014). These
settlements were analyzed comparatively at parcel, building block, and dwelling
unit scales. Site plans, block plans, dwelling layouts, and visual data obtained
through on-site observations were examined to evaluate spatial hierarchy,
access control, privacy levels, and the organization of common-use areas.
Significant differences were identified among the settlements in terms of income
group, construction period, security measures, social amenities, landscape
organization, and parking solutions. The analyses reveal that as income level
and construction period increase, the spatial hierarchy extending from public to
private spaces becomes more pronounced, semi-private areas become more
clearly defined, and greater importance is given to user privacy. While early
period projects designed for lower-income groups tend to emphasize more
permeable spatial arrangements focused on basic housing needs, settlements
developed for middle- and upper-income groups are characterized by controlled access systems, enhanced security measures, and more clearly defined
common-use spaces.
In conclusion, the study demonstrates that spatial uniformity and socio
economic differentiation coexist within TOKİ housing developments and jointly
shape their spatial organization. Furthermore, the findings suggest that TOKİ
has gradually evolved from an approach primarily focused on housing provision
toward a more comprehensive settlement model that also considers spatial
quality, security, sense of belonging, and user experience.
Gregoryen İlahilerindeki Modal Antifonların Analizinde Ezgi Çekirdekleri Yaklaşımının Uygulanması
(Güzel Sanatlar Enstitüsü, 2026) Berk Kurdoğlu; Geleneksel Türk Müzikleri
Gregorian chant is the monophonic liturgical music repertoire that forms the cornerstone of Western church music. The antiphon, the most numerous genre of this repertoire, frames the liturgical context by accompanying psalms and hymns, and anticipates the modal character of the text. In Gregorian chant, modal identity has most often been defined through a static pitch inventory. However, this approach fails to adequately reflect the dynamics of melodic motion and pitch hierarchy.
In this study, the melodic nuclei (ezgi çekirdekleri) model developed by Bayraktarkatal and Güray (2023) within Turkish music theory has been adapted to antiphons, a subgenre of the Gregorian chant repertoire. The model conceptualizes modal identity as a dynamic melodic process by defining the identity of a mode through the smallest indivisible melodic units based on tension-resolution relationships, rather than through a pitch inventory. The study corpus consists of Mode 1 antiphons found in the 1924 modern notation edition of the Liber Usualis. As a result of the study, 4 basic melodic nuclei were identified and the characteristics of these nuclei were demonstrated on the antiphons.
This study demonstrates that the melodic nuclei method offers a complementary analytical perspective that goes beyond traditional scale-based approaches; the application of Turkish music theory to the medieval Western repertoire, meanwhile, carries the nature of an original contribution to the field of comparative musicology.
Çağdaş Sanatta Travma Sonrası Beden Manipülasyonları
(Güzel Sanatlar Enstitüsü, 2026-07-21) Uğur Ömer Pekince; Heykel
Human beings, existing within time, are in a continuous process of becoming and transformation through ongoing movement. This condition also entails their exposure to external influences. Everything that comes into contact with their existence within temporality either becomes a part of them or produces an effect that leaves a trace upon them. From the very first moment of life, the experiences an individual encounters shape their patterns of thought. Individuals who inherently possess certain differences or who are more sensitive to the external world incorporate these influences into their creative processes. In the background of the works produced, a structure emerges in which the individual’s lived experiences find expression.
In this context, the impact of internalized life experiences, particularly traumatic events, on artistic production becomes evident. Trauma is addressed within the framework of the thesis as a practice of tracing. Creations that emerge as a form of witnessing a moment visualize the transformation and externalization of imagination. The artist transforms the data accumulated throughout life into artistic production, often through negativity or otherness within the realm of imagery. Biomorphic structures that emerge as expressions of emotion are approached through an anthropomorphic narrative. In this process, formal deformation is employed in order to reflect the negative aspects of trauma. Through these formal transformations, the resulting creation enables the image to become visible.
The narrative constructed alongside the works aims to materialize negative mental feedback loops and the repetition of memory. The thesis approaches the artist’s productions, which run parallel to their life, within a context that reflects their inner world, while also carrying an attempt to make sense of the creative process.
Within the scope of the thesis, the external factors shaping the artist’s creativity are examined and classified under the heading of “trauma.” The artist, who reflects their inner world in their productions, renders emotions and thoughts that cannot be expressed verbally visible through sculpture. Furthermore, a comparative interpretation is developed by examining the styles and narratives of artists who produce similar works.
In this context, the thesis argues that a nuance of life underlies art creation, and emphasizes that traumatic experiences fuel this process.