Hacettepe Üniversitesi Açık Erişim Sistemi (HÜAES)
- HÜAES, Hacettepe Üniversitesi bünyesinde üretilen kitap, makale, tez, bildiri, rapor gibi tüm akademik kaynakları uluslararası standartlarda dijital ortamda depolar, etkisini artırmak için telif haklarına uygun olarak Açık Erişime sunar.
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16. Yüzyıl Osmanlı Kültüründe Samek Ayyar Hikâyesi ve Musavver Nüshaları
(Sosyal Bilimler Enstitüsü, 2025) Karaaslan Ayhan, Serpil; Sanat Tarihi
This study examines the production and design processes of illustrated narratives that gained prominence during the intensified translation activities of the reigns of Murad III (1574-1595) and Mehmed III (1595 1603). In this context, the manuscript Kıssa-i Ferruhruz (British Library, Or. 3298), has been taken as the central focus of the research in order to understand the approaches that emerged in the writing and illustration of narratives transferred from Arabic and Persian literature into Ottoman culture. Representing the final sections of the Samak Ayyar story, which is thought to have been first committed to writing as early as the 12th century and recounting adventures and fantastic events surrounding a love affair, this work has been analyzed in detail with regard to its origins in the Ottoman world, its translation processes, modes of illustration and codicological features. The study also offers a comparative analysis with Kıssa-i Şehr-i Şatran (Istanbul University Library, T. 9303), which appears to serve as a continuation of the former manuscript in terms of both content and design. During the research process, unillustrated copies produced in the Ottoman domain were examined in order to understand the place of the work within the Ottoman literary environment. To this end, Dâsitân-ı Samak Ayyar (Cod. Turc. 202) at the Bayerische Staatsbibliothek in Munich and Kitâb-ı Hurşid Şah at the Süleymaniye Library were identified and their contents have been analyzed. In this way, the narrative was reconstructed on the basis of both illustrated and unillustrated manuscripts. Furthermore, a comparative analysis was conducted between the Turkish copies and the Persian manuscript Kitâb-ı Samak Ayyar, produced during the Inju dynasty in the 1330s and preserved at the Oxford Bodleian Library, with particular attention to principles of content and visual design. The missing sections within the three volumes of the Persian version were identified and reconstructed through comparison with the Turkish translations.
This dissertation offers a detailed analysis of the illustrated Ottoman versions of the Samak Ayyar story in terms of design principles, visual strategies and content, while also situating them within a holistic framework together with the unillustrated manuscripts. In addition, by presenting a thorough comparison with similar groups of works produced in the same period in terms of both design and content, it demonstrates how such narratives were reconfigured and illustrated within the Ottoman cultural and artistic
milieu, while also revealing the role that stories containing love, fantasy and supernatural elements played in the visual culture of the era. Thus, by examining the Samak Ayyar translations, which have not previously
been studied comprehensively, this study contributes new perspectives to the analysis of narrative and illustrative practices in Ottoman storybooks produced between the late 16th and early 17th centuries and offers fresh insights for literary history, art history and translation studies.
Hollywood’da Bir Ticari Strateji Olarak Sinemasal Evren İnşası: John Wıck Film Serisi Özgül Örneği
(Sosyal Bilimler Enstitüsü, 2025) Gölbaşı, Emin Onuralp; Radyo Televizyon ve Sinema
This study examines how the John Wick (Chad Stahelski, 2014–2023) action series, following the first film’s unexpected commercial success, was transformed into a transmedia narrative. It is argued that, in the sequels, the story of the main character was forefronted by more marketable elements, which reflects a recently popular strategy, not only in commercial cinema but across all commercial media. The Marvel Cinematic Universe and the Star Wars series (George Lucas, 1977–2005) are examples of transmedia
narratives. Recently, these series have expanded their production outside the realm of cinema and made their products more connected with the film than before. The conceptual framework includes discussions aimed at understanding narrative universes, which are argued to be the core element of transmedia storytelling. Henry Jenkins’ "Transmedia Storytelling" term is interpreted from a critical perspective, suggesting transmedia narratives expand and spread by foregrounding their universes. The contemporary marketing strategies of commercial cinema aligns with these narratives. Products for different mediums are
connected through their universes and mutually encourage consumption. The term “worldification” is proposed to explain the transformation of the John Wick series. The four films of the John Wick series are examined using textual analysis. Using the first film as a basis, changes in characters, time/space
construction, and the universe in the sequels are identified. It is observed that the success of the initial lowbudget production, which is argued to have made a mark in action cinema, led to various transformations. As “Wickverse” became more concrete, the sequels distanced themselves from the noir aesthetic and character-driven narrative, offering stories where the universe took precedence. The narrative universe was expanded with events independent of the main character, and with the addition of new characters, it was adapted into a transmedia narrative with multiple platforms and storylines.
Yield Curve Spillovers And Macroeconomic Indicators: The Case of Türkiye
(Sosyal Bilimler Enstitüsü, 2025) Kaya, Ünal; İktisat
This study investigates the dynamics of Türkiye’s yield curve and its interactions with domestic and foreign macroeconomic indicators between 2008 and 2021. Using data from 19 emerging market economies, including the U.S. and China, the research first estimates yield curve components—level, slope, and curvature—following the Diebold-Li (2006) framework. Then, employing a Global Vector Autoregression (GVAR) model with time-varying trade-weighted linkages, the study assesses how these components relate to macroeconomic variables.
Generalized Impulse-Response Functions (GIRFs) and Orthogonalized Impulse-Response Functions (OIRFs) are used to interpret the direction and intensity of interactions. Key findings reveal that Türkiye’s yield curve is more influenced by domestic factors than external shocks. GIRF analysis shows a strong, bidirectional relationship between the level and slope components. Inflation is negatively associated with the slope, implying that higher inflation
flattens or inverts the curve. The policy interest rate exhibits a weak but positive effect on the level. Notably, the domestic stock market significantly affects long-term rates, suggesting a link between investment sentiment and yield curve movements.
External influences are identified but found to be economically marginal overall. OIRF analysis, which is theoretically robust, provides weaker and less consistent results than GIRFs, especially regarding foreign impacts.
The study contributes to literature by offering a country-specific analysis of yield curve dynamics and monetary policy effectiveness in Türkiye. It suggests that monetary authorities can influence inflation via the policy rate through its transmission to yield curve components, though the robustness of this mechanism depends on the method used. Overall, the findings support the view that Türkiye’s yield curve has been primarily shaped by domestic macroeconomic conditions rather than global integration during the period under study
Nogayca-Türkçe Dil İlişkileri: Konya Örneği
(Sosyal Bilimler Enstitüsü, 2025) Öksüz, Songül; Çağdaş Türk Lehçeleri ve Edebiyatları
Nogay, along with Kazakh and Karakalpak, constitutes the Southern branch of the Kipchak languages. Some Nogays, who primarily live in the Caucasus today, migrated en masse to Türkiye, then part of the Ottoman Empire, during the Russo-Turkish Wars. Nogay has been spoken in various regions of Türkiye
for over a century. The provinces of Adana, Ankara, Eskişehir, and Konya, along with their villages, are among the most prominent examples.
In the sociolinguistic landscape of Turkey, Turkish functions as the prestige language, which has led to a dynamic process of language contact between Turkey Turkish and Turkey Nogay. This contact has given
rise to various forms of linguistic influence and structural convergence, particularly in domains such as lexicon, phonology, and morphology.
This study investigates the nature and extent of language contact between Turkey Nogay and Turkey Turkish through the theoretical lens of Lars Johanson’s Code Copying Model. Johanson’s model, developed
within the context of Turkic languages, provides a comprehensive framework for analyzing the transfer of linguistic material between structurally distinct but historically and geographically related languages. The
model's emphasis on the typology of copies general, selective, and mixe enables a nuanced examination of contact-induced change.
The empirical foundation of the study is based on fieldwork conducted in several villages: Ağılbaşı, Boğazören, Kırkkuyu, and Seyitahmetli in the district of Kulu (Konya), as well as Akin, Doğankaya, and Şeker in the district of Şereflikoçhisar (Ankara). Data were collected through interviews with native
speakers, and the transcribed texts are included in the appendix of the study.
Adopting a synchronic and descriptive approach, the analysis identifies and categorizes code copies in the speech of Turkey Nogay speakers, revealing systematic patterns of contact-induced modification shaped
by sociolinguistic factors and bilingual competence.
Ecological vs Environmental Economics: How Ecological Economics Influenced Human Development Reports?
(Sosyal Bilimler Enstitüsü, 2025) Yorgun,Mehmet Delil; İktisat
This thesis examines how ecological and environmental economics have shaped the discourse of sustainability in the United Nations Development Programme’s Human Development Reports (HDRs) from 1990 to the present by using a qualitative and interpretive research methodology.
The analysis considers key concepts such as natural capital, resilience, planetary boundaries, and intergenerational equity, tracing their appearance, frequency, and contextual use in HDRs over time. In addition to drawing on the established frameworks of ecological and environmental
economics, the study incorporates a Marxist ecological perspective to critically assess the structural political–economic constraints that influence the adoption of sustainability concepts. A qualitative documentary analysis is combined with manual literature mapping to identify the
extent and nature of ecological economics’ influence on HDR language and framing. Findings indicate that ecological economics has become increasingly visible in HDRs, particularly after 2010, often through rhetorical adoption of its terminology and principles. However, this uptake has rarely translated into a fundamental shift in the HDRs’ underlying policy framework, which
continues to be shaped largely by mainstream economic approaches. The Marxist ecological perspective highlights how this pattern reflects deeper systemic contradictions, where rhetorical commitment to ecological sustainability coexists with a growth-oriented development paradigm.
The thesis advances the body of literature on sustainability transitions by outlining the conceptual avenues along which international development policy is influenced by economic thought.