KOKU KAVRAMININ SERAMİK FORMLARDA İFADE BİÇİMİNE DÖNÜŞMESİ

Abstract

When art is evaluated as a field that works with senses and emotions, how all sense organs, innovation and newness can be worked on can be taken and examined separately for each art field. In the study, the perceptual and cultural dimensions of smell; How it can be reflected through ceramic material and form was emphasized, the history of smell and its use in different cultures were investigated. In the ceramic forms made, it was matched with the aesthetic structure of the female body and the beautiful smell attributed to women. The connotations of smell, the expression of smell in ceramic forms, without classifying the smell, the person's mental journey towards the past, was enriched with metaphorical life such as female figures, wavy forms, deer pictures and stoves, and the smells were placed in accordance with the connotations of ceramic forms. It was investigated how smell can be used as a means of expression not limited to visual and tactile senses in ceramic art, sleep with combined clay smell and experiments with different killers were evaluated. In order to determine the methods used in this study and to perform a literature review, printed sources and academic databases were used. Within the scope of the literature review, specific books, articles and theses were examined in order to provide information and deep understanding on the subject. The study presents an innovative approach to the forms of expressing olfactory perception in ceramic art and aims to develop designs so that the scent can combine with ceramics to create different experiences in the audience. This thesis aims to examine the sensory dimension of art from a broader perspective by deeply examining the relationship between scent and form in ceramic art.