Mekan ve Sergileme İlişkisi

Abstract

The concept of exhibition forms the cornerstone of bringing artworks to the public and engaging with the audience. However, the question of whether the process necessitates physical space or not is crucial to comprehend the fundamental aspects, possibly spatial, of exhibitions and evaluate the forms of art presentation. This thesis aims to examine the necessity of physical space within the framework of the exhibition concept and how this necessity impacts the presentation of art. Throughout the historical timeline, the evolution of space has led to significant changes in exhibition practices and forms of artistic presentation. This study aims to understand how the evolution of space has influenced the development observed in exhibitions and aims to grasp how the forms of art display and audience experiences have transformed. The locations where art is exhibited have undergone substantial changes alongside the historical development and changes in art movements. From ancient times where exhibitions were primarily held in temples or palaces, the movement of art to public spaces during the Renaissance marked the beginning of changes in exhibition spaces. Subsequently, with the emergence of museums and art galleries, the design and function of exhibition spaces gained more significance. This thesis examines the evolution and changes in exhibition spaces from a historical perspective within the framework of the exhibition concept and its spatial requirements. It delves into the effects of these changes on the meaning of art, audience engagement, and the societal role of art. Additionally, it explores how technological advancements and societal changes have contributed to the transformation of exhibition spaces and how this process has been affected. This work will serve as a significant resource for art historians, cultural researchers, and exhibition producers to deeply understand the transformations art has undergone in shaping and developing the spaces where it exists and is presented. Moreover, it will aid in comprehending the factors that shape the design and functionality of future exhibition spaces. The thesis encompasses the examination of the historical and theoretical background of exhibitions pre- and post-1960 in its first section. The second section focuses particularly on exhibition approaches, especially spatial approaches. The third section investigates the spatial characteristics of different exhibition venues in Ankara and their impact on artworks. Finally, the findings are examined in the last section, presenting conclusions.