Yaylı Çalgılar Bölümü: Recent submissions
Now showing items 1-20 of 32
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Konservatuvarlarda Çalgı Eğitimi Alan Öğrencilerde Performans Kaygısıyla Baş Etme Yöntemleri
(Güzel Sanatlar Enstitüsü, 2024-09)Throughout history, people have experienced various negative emotions for different reasons. One of these negative emotions is performance anxiety in music, which is the intense excitement, fear, and anxiety ... -
Johann Matthias Sperger Si Minör Kontrabas Sonatının Form ve Kontrabas İcra Teknikleri Açısından İncelenmesi
(Güzel Sanatlar Enstitüsü, 2024)This research aims to analysis the double bass sonata in B minor, which has an important place in the enrichment of the double bass repertoire and is considered one of the most important works of Johann Matthias Sperger ... -
Luigi Boccherini’nin G.2b Do Minör Viyolonsel Sonatının İncelenmesi
(Güzel Sanatlar Enstitüsü, 2024)In this study, in which Luigi Boccherini's C minor cello sonata is analysed from a general point of view, Boccherini's life and musical style, the general characteristics of his sonatas, the development of cello and ... -
Barok Dönemde Bestelenmiş olan Seçilmiş Solo Keman Eserleri'nin İncelenmesi
(Güzel Sanatlar Enstitüsü, 2024)With the Baroque period, instrumental music also showed great progress, and works composed for solo instruments began to multiply. Performers and composers started to apply much more detailed musical ornaments, changed the ... -
Pierre Gavinies’in 24 Etüdünün Keman Tekniğine Katkıları
(Güzel Sanatlar Enstitüsü, 2024-03-15)Etudes are basic materials that contribute to the technical development of performers and are also important for the development of musical skills. They have an important function in the instrument training of performers ... -
Barok Dönem Müziğinin Stil Özellikleri Ve Johann Sebastian Bach’in “Bwv 1017 Do Minör Keman-Harpsichord” Sonatının İncelenmesi ve Günümüzde Yorumlanması
(Güzel Sanatlar Enstitüsü, 2024-04-05)Today, how Baroque music should be played and whether the Baroque Period influenced today's musical styles is still a matter of debate. Especially when we look at J.S.Bach's violin works, the vibrato technique, which is ... -
Yalçın Tura Viyolonsel Konçertosunun Müzik Formu ve İcra Teknikleri Açısından İncelenmesi
(Güzel Sanatlar Enstitüsü, 2023-09-25)This research aims to provide information in terms of music stucture and playing techniques and its composer for cellists, cello teachers, educators, and researchers who want to interpret Yalçın Tura’s cello concerto. The ... -
Ege Gür’ün Solo Viyolonsel için Sultanite Adlı Eserinin İncelenmesi
(Güzel Sanatlar Enstitüsü, 2023)After the proclamation of the Republic, with the breakthroughs that started in the field of art and the opening of academic institutions, trainings on Turkish Music studies and its adaptation on Western Music began. At the ... -
Antonio Vivaldi'nin Yaşamı ve Seçilmiş Keman Konçertolarının İncelenmesi
(Güzel Sanatlar Enstitüsü, 2023)Antonia Vivaldi, one of the composers of the Baroque period, had a great influence on the art of violin performance. Baroque, XVI. and XVIII. It is a style that became widespread in the arts of architecture, music, painting ... -
Yaylı Çalgıların Evrimsel Gelişimi ve Günümüz Çalgılarıyla Barok Dönem Müziklerinin Yorumlanması
(Güzel Sanatlar Enstitüsü, 2023)Viola, the member of string instruments, originated in the middle ages. The playing technique and the musical understanding has developed because of the physical changes that the instrument has faced over time. Although ... -
J. S. Bach'ın Bwv 1003 Numaralı Solo Keman Sonatı'na Farklı Stilistik Yaklaşımlar Üzerine Karşılaştırmalı Bir Performans Analizi
(Güzel Sanatlar Enstitüsü, 2023-03-07)In today's world, where "new" music is rarely included in concert programs compared to "old" music, early music interpretation as a concept is becoming a more popular phenomenon. It is not always possible to deduce how ... -
Maurice Vieux "Vingt Etudes Pour Alto" Etüt Kitabının Müzikal ve Teknik Açıdan İncelenmesi
(Güzel Sanatlar Enstitüsü, 2022-12-19)Maurice Edgard Vieux who was a 20th century violist, composer and pedagogue had gotten his first viola training from Théophile Laforge who was the first viola instructor of Paris Conservatory that was built with innovations ... -
Ludwig Van Beethoven’in Op..24 No. 5 Fa Majör Piyano ve Keman İçin “İlkbahar” Sonatının Formal Analizi
(Güzel Sanatlar Enstitüsü, 2017)With his op. 24 it is the first time that Beethoven added the Scherzo-Trio movement to his piano and violin sonatas and composed a four-movement sonata for piano and violin. In addition, he gave the same importance to ... -
Max Reger Op.131d Sol Minör Birinci Viyola Suitinin Form, Stil ve Teknik Açıdan İncelenmesi
(Güzel Sanatlar Enstitüsü, 2022-10)Max Reger is seen as a composer who is among the late-Romantic period composers, bringing a different understanding to the style of the Romantic period and enabling it to gain new colors. It reached a great maturity in ... -
F. Mendelssohn Op.64 Mi Minör Keman Konçertosunun O.Sevcik’in Op. 21 Egzersizleri Üzerinden İncelenmesi
(Güzel Sanatlar Enstitüsü, 2022-09)German composer Felix Mendelssohn-Bartholdy is considered one of the most valuable composers of the 19th century. Composed by Mendelssohn and having a very important place in the violin repertoire, the violin concerto ... -
Nino Rota’nın Hayatı ve “Divertimento Konçertant” Başlıklı Eserinin Kontrabas Repertuvarına Katkısı
(Güzel Sanatlar Enstitüsü, 2021-12)Italian composer Nino Rota is one of the well-known composers of the 20th century, in recognition of reflecting his unique style on movie soundtracks and compositions. It is seen that the composer has gained worldwide ... -
Paul Hındemıth Op.11 No:4 Viyola Piyano Sonatı’nın Form, Stil Ve Viyola Tekniği Bakımından İncelenmesi
(Güzel Sanatlar Enstitüsü, 2021)ABSTRACT German composer Paul Hindemith, one of the leading composers of 20th century music, began his musical career by playing the violin and took this career to the extreme with his composition and viola interpretation. ... -
Eduard Tubin Kontrabas Konçertosu ve İcrasındaki Zorluk Dereceleri’nin Ölçümü
(Güzel Sanatlar Enstitüsü, 2021-06)The double bass concerto, written by Estonian composer Eduard Tubin in 1948, greatly contributed to double bass repertoire. It can be said that this work, which is in the repertoires of musicians playing double bass today ... -
Operalarda Yer Alan Seçilmiş Solo Keman Partilerinin İncelenmesi
(Güzel Sanatlar Enstitüsü, 2021-06)In this study, outstanding violin solos (concertmaster solos, duo solos, ensemble solos) in the literature of German, Italian, French and Turkish opera were examined and situations such as strengthening the expression, ... -
Katalan Viyolonselci Gaspar Cassadó’nun İcracı, Besteci Ve Uyarlayıcı Yönleriyle İncelenmesi
(Güzel Sanatlar Enstitüsü, 2020-12-01)Gaspar Cassadó (1897-1966), who was born in Barcelona was one of the most important cellists with Catalan origin following Pau Casals, is not well recognized today. The main reason of this is that there are almost no ...