Can Sıkıntısının Resimsel İmgeleri

Abstract

According to scientific findings, the phenomenon of boredom has persisted from the creation of the world to our present day, maintaining its enigmatic nature. Antiquity is considered the starting point where the concept of boredom underwent change and transformation. In the thought system of antiquity, boredom, known as “Acedia,” was inextricably linked with “melancholy.” In the Middle Ages, Acedia was associated with laziness and considered a sin according to Christian morals. Towards the end of the Middle Ages, it distanced itself from this characteristic and became known as melancholy. From the Renaissance onwards, boredom and melancholy, seen as natural human conditions rather than limited privileges, gradually began to shape artistic works. In the Romantic period, artists' longing for life before the Industrial Revolution and their inner turmoil were reflected in their artworks, leading to the emergence of a new artistic language known as "rückenfigur." In modernity, boredom emerged as a crisis of meaning and an existential void. In the thought system of the Middle Ages, the phenomenon of boredom was related to theology, but over time it became an issue of the subject's relationship with the world and attempts were made to explain it. Defined as a multifaceted phenomenon, boredom is resistant to analysis and thus encompasses philosophical findings in addition to the field of psychology.