Güncel Gönderiler

  • Paleolitik Dönem Orta Avrupa Mağara Resimlerindeki Hayvan Sahnelerinin Seramik Yorumları 

    Dursun, Bünyamin han (Güzel Sanatlar Enstitüsü, 2024-11-11)
    We understand the communication between humans and animals from the cave walls. Paleolithic period people painted animals they encountered in daily life on the walls of caves where they were thought to live for shelter. ...
  • İlişkisel Estetik Bağlamında İlişki Araştırmaları 

    Özlü, Deniz (Güzel Sanatlar Enstitüsü, 2024)
    Relational Aesthetics aims to eliminate the lack of relationships by stating that there is a lack of relationship between people in society. Relational aesthetics seeks to eradicate the lack of relationship in society ...
  • İfadenin Oluşum Sürecinde Müzeler ve Seramik Uygulamalar 

    Sancar Başçeken, Demet (Güzel Sanatlar Enstitüsü, 2024-10-27)
    Throughout history, art has experienced a continuous process of change, shaped by different periods and cultural interactions. The only thing that has not changed in this dynamic process is man's effort to express himself. ...
  • Seramik sanatında kuş evleri 

    Sungur, Esra Nihal (Güzel Sanatlar Enstitüsü, 2024-10-18)
    The “birdhouse” concept, which has always been a major component of the human-bird interaction throughout the history, has also been closely related to the ceramic art. Birdhouses have occupied a major space in Turkish ...
  • Endüstriyel Seramik Üretim Malzemeleriyle Sanatsal Dönüşüm 

    Atasayar, Çağrı (Güzel Sanatlar Enstitüsü, 2024-10-21)
    In this study, the historical development of industry is analyzed, and the production process is detailed by providing examples of industrial production materials and molds used in the field of ceramics. The integration ...
  • Birlik ,Beraberlik ve Bütünleşmenin Seramik Bünyeler Üzerinden Anlatımları 

    Demir, Nuriye (Güzel Sanatlar Enstitüsü, 2024-09-04)
    DEMİR Nuriye. “Unity, Togetherness and Integration Through Ceramic Bodies” Master of Arts Study Report, Ankara, 2024 In the discipline of sociology, which addresses the relationships between society and individuals, the ...
  • Seramik Sanatında Modle Etkisi 

    Gündüz, Elif (Güzel Sanatlar Enstitüsü, 2024-07-26)
    Starting from prehistoric times, people have used drawing, a visual language, to convey their inner worlds and experiences. Drawing techniques in the art of painting have become more realistic and detailed over time, and ...
  • Bedenin İnşası; Figür 

    Şahbaz, Hasan (Güzel Sanatlar Enstitüsü, 2024)
    The image of the ‘body’ and the narratives fictionalised on its representation are among the most familiar and oldest subjects in human history. In the entire historical process, the human body has been used as a means of ...
  • 6-10 Yaş Çocuklarla Tematik Çalışmalar Üzerinden Becerilerin Geliştirilmesi 

    Kasan, Işıl (Güzel Sanatlar Enstitüsü, 2024)
    This thesis investigates the effects of thematic ceramic module studies conducted with the participation of different groups of children aged between 6-10 years on their educational and cognitive skills. The study aims to ...
  • Deneysel Geliştirilen Desen Tasarımlarının İleri Teknolojik Sistemler ile Seramik Yüzeylere Uygulanması: Bir Koleksiyon 

    Sıkı, Ceyda (Güzel Sanatlar Enstitüsü, 2024-07-11)
    The focus of this study is the experimentalization of art on the basis of experimentally developed patterns on the surface of industrial ceramic tiles. Experimentation means that the practitioner conducts research and ...
  • Çömlekçi Çarkında Üretilen Çanak Formunun Sanat Nesnesi Olarak Kullanılması 

    Aksoy, Enes (Güzel Sanatlar Enstitüsü, 2024-06-12)
    Ceramics, an indispensable part of civilizations from ancient times to the present, has evolved using various production techniques since its inception. The development of societies and the increasing needs have made it ...
  • Batıl İnanç Nesnelerinin Çağdaş Seramik Sanatında Yorumlanması 

    Maden Demirkaynak, Büşra (Güzel Sanatlar Enstitüsü, 2024-06-26)
    Humanity has, from time to time, adopted certain behaviors and practices in order to overcome any bad situation it has encountered in almost every phase of history. He thinks that the way to get rid of the mental crises ...
  • Mitolojide Kedi Figürünün Yeri ve Özgün Seramik Formlarda Yorumu 

    Akcan, Ceyda Nur (Güzel Sanatlar Enstitüsü, 2024)
    This study report titled "The Place of Cat Figure in Mythology and Its Interpretation in Original Ceramic Forms" consists of 2 main sections. The first section titled "Mythology" examines what mythology is, discusses ...
  • Hacı Bektaş Veli Dergâhındaki Doğa Kültü Simgelerinin Sanatsal Dönüşümü 

    Yeltürk, Murat (Güzel Sanatlar Enstitüsü, 2024)
    The aim of this study is to examine the effect of the symbols of nature cults in Hacıbektaş District on the formation of the symbols found in the Hacı Bektaş Veli Dervish Lodge and to discuss how the integrity of the meaning ...
  • Sanatsal Bir İfade Biçimi Olarak Görelilik ve Hiperküp 

    Çakır, Çağatay Kadir (Güzel Sanatlar Enstitüsü, 2024)
    With the evolution of humanity, it has begun to recognize itself and its surroundings. In the early ages, the concepts of space and universe arouse great curiosity in human beings. With the development of technology ...
  • Dijital Uygulamalarda Kullanılan Piksel Tekniğinin Seramik Sanatına Yansıması 

    Fidan, Kemal Savcı (Güzel Sanatlar Enstitüsü, 2024)
    Today's technological progress has brought important developments, and these developments have paved the way for the emergence of new inventions and ideas. One of these developments is digital art. Even though digital art ...
  • İmgeleşen Öğe Kehtiyarın Sanatsal Yorumu 

    Dinçadam, Anıl (Güzel Sanatlar Enstitüsü, 2024-03-19)
    This master's thesis focuses on the reflection of the Kehtiyar character's complex relationships within normative systems in art. The thesis examines the historical evolution of perceptions and realities surrounding ...
  • Bir Nesne Olmanın Ötesinde Sanat Eseri 

    Cora, Aytuna (Güzel Sanatlar Enstitüsü, 2024)
    This study aims to attempt to identify the bases of how an artwork is positioned beyond being the material it is made of and how it differs from other existing objects. Thus, Heidegger’s ideas on artworks are at the center ...
  • Kimlik ve 'Ben' İkiliğinin Sanat Pratikleri ile Çözümlenmesi 

    Aşcı, Fazilet (Güzel Sanatlar Enstitüsü, 2024-03-08)
    This research is based on the question "Who am I?", asked by the conscious subject, to confirm their existence as an 'I'. Since the concepts of 'I' and identity are different, initially the foundational meanings of these ...
  • Anaerkil Toplum Düzeni ve Seramik Sanatına Yansımaları 

    Kilit, Canan (Güzel Sanatlar Enstitüsü, 2024)
    The thesis report examined at the matriarchy center included examinations and research on ceramic art through the concepts of woman and mother. In Anatolia, the matriarchal lifestyle and the mother goddess cult include ...

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