Stravinski'nin Bahar Ayini Eserinin; Nijinski, Bejart ve Bausch Yorumlarının İncelenmesi

Abstract

This study aims to examine the elements that were influential in the creation of the Rite of Spring (such as Modernism and Spring Rituals) in 1913 along with an understanding of the Rite of Spring as a sensational and pathbreaking piece from its first production to the later interpretations by two other important choreographs. In light of the styles and principles of the composer's and the choreographs' artistic lives, this study attempts to examine the interpretations of the Rite of Spring by sharing the life stories of these artists. This study conducts an analysis that is courteous to each unique interpretation of the piece.