Tür "info:eu-repo/semantics/doctoralThesis" Müzik Teorileri Bölümü Tez Koleksiyonu için listeleme
Toplam kayıt 6, listelenen: 1-6
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13.-18. Yüzyıllar Arasında Makamsal Müzik Teorisi Anlayışının Değişimi
(Güzel Sanatlar Enstitüsü, 2019)As is known, the modern “maqam theory” of Ottoman/Turkish music tradition is based on the concept of perde (standardized note names). In this study, we concentrated on the music-theoretical manuscripts written before the ... -
Beethoven Coda’larına Analitik Bakış: Erken Dönem Piyano Sonatlar
(Güzel Sanatlar Enstitüsü, 2020)Coda can be described as "the part added to the end of a piece or a movement to strengthen the feeling of ending after a work or chapter” and one of the most important forms that Coda used in effectively is the ... -
Domenico Scarlatti'nin Klavye Sonatlarında Yabancı Sesli Akor Sınıflandırması: K. 1-150
(Güzel Sanatlar Enstitüsü, 2019-08)Domenico Scarlatti’s unique use of the chords with non-chord tones, which distinguishes the composer distinctly from its contemporaries, can be encountered in many of his keyboard sonatas. Such tone clusters which seem to ... -
Johannes Brahms'ın Orkestra Eserlerinde Sonlanma Karakteristiği
(Güzel Sanatlar Enstitüsü, 2020)The nearest point of a subject, exhibiting a time-wise dimension, to audience is the ending. In other words, our final visual or aural contact with the subject is the ending. Therefore, the first thing we recall of a subject ... -
Makam Müziğine Schenkerıan Bakış: Beş Rast Eserin Analizi
(Güzel Sanatlar Enstitüsü, 2020)In this study; a reductive analysis which roots its fundamental approach and terminology in Schenkerian Analysis was developed and applied on five works given in maqam rast by the composers of the peak era of Ottoman-Turkish ... -
Saygun Müziğinde Makam Soyutlamaları: Piyano Konçertosu, OP. 34, I
(Güzel Sanatlar Enstitüsü, 2020-11-10)It is clear that every composer, who aims to write new music through using a traditional component, will not authentically use the material and will involve various reflections, impressions, in other words, abstractions ...