Başlık için Müzik Teorileri Bölümü Tez Koleksiyonu listeleme
Toplam kayıt 20, listelenen: 12-20
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Johannes Brahms'ın Orkestra Eserlerinde Sonlanma Karakteristiği
(Güzel Sanatlar Enstitüsü, 2020)The nearest point of a subject, exhibiting a time-wise dimension, to audience is the ending. In other words, our final visual or aural contact with the subject is the ending. Therefore, the first thing we recall of a subject ... -
Makam Müziğine Schenkerıan Bakış: Beş Rast Eserin Analizi
(Güzel Sanatlar Enstitüsü, 2020)In this study; a reductive analysis which roots its fundamental approach and terminology in Schenkerian Analysis was developed and applied on five works given in maqam rast by the composers of the peak era of Ottoman-Turkish ... -
Makamsal Ezgi Çekirdeği Tabanlı Bilişim Uygulamaları için Analitik Bir Yöntem Önerisi
(Güzel Sanatlar Enstitüsü, 2022)Melodic nuclei have a suitable structure for algorithmic approach and mathematical modeling. The melodic nuclei method has taken its place in the literature as a "motif centric-nuclei based" makam analysis method, which ... -
Menüetten Scherzoya Evrilme Sürecinde Formun İşlevleri: Beethoven Erken Dönem Piyano Sonatları
(Güzel Sanatlar Enstitüsü, 2022-08-24)In this study, an analysis of the formal functions of the sentences will be carried out on the movements composed in the form of the Minuet/Trio, in the minuet or scherzo genre, of the Op. 2 / 1-3, Op. 7, Op. 10 / 2-3, Op. ... -
Op. 101, 106, 109, 110 Ve 111’den Hareketle, Beethoven’ın Piyano Sonatlarında Gelişme Bölümlerinin Tematik Analizi
(Güzel Sanatlar Enstitüsü, 2018)This study is an analytical review of the thematic structure of Development sections of first movements of Ludwig van Beethoven’s all piano sonatas in the Sonat- Allegro form with reference to Late Piano Sonatas. In the ... -
Samuel Barber'ın Opus 6 Viyolonsel Sonatı'nın İlk Bölümünde Biçimsel Yapı ve Beklenmedik Değişimler
(Güzel Sanatlar Enstitüsü, 2023)In this study, an analysis was carried out on the first movement of the Opus 6 Cello Sonata by Samuel Barber, one of the most prominent American composers of the 20th century, based on formal structure and unexpected ... -
Bir Saygun İmzası: [3,5,3]
(Güzel Sanatlar Enstitüsü, 2016-01-19)According to the available data, the structures [3,5,3], [3,3,5] and [5,3,3] which we identified that Ahmed Adnan Saygun used in his Suite, dated 1931-1932, are repeated many times in a total of his 41 works including the ... -
Saygun Müziğinde Makam Soyutlamaları: Piyano Konçertosu, OP. 34, I
(Güzel Sanatlar Enstitüsü, 2020-11-10)It is clear that every composer, who aims to write new music through using a traditional component, will not authentically use the material and will involve various reflections, impressions, in other words, abstractions ... -
Bir Tutti'ye Motif-Yapı Temelli Analitik Bakış: Gershwin, Fa Majör Piyano Konçertosu, I
(Güzel Sanatlar Enstitüsü, 2019-08)In music, the motif, which can be defined as the smallest building unit with the thematic identity of a work and repeated at many points of the work to which it is related, in the same or differentiated forms, is a vital ...