Bölüm "Müzik Teorileri" Müzik Teorileri Bölümü için listeleme
Toplam kayıt 20, listelenen: 1-20
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13.-18. Yüzyıllar Arasında Makamsal Müzik Teorisi Anlayışının Değişimi
(Güzel Sanatlar Enstitüsü, 2019)As is known, the modern “maqam theory” of Ottoman/Turkish music tradition is based on the concept of perde (standardized note names). In this study, we concentrated on the music-theoretical manuscripts written before the ... -
21. Yüzyılda Ezgi Merkezli Makam Anlayışı: Karşılaştırmalı Bir Analiz
(Güzel Sanatlar Enstitüsü, 2022)Makam theory, which was evolved in Early Republican Period due to the effects of the social policies, went through changes in the following years. Theorists of the period formed a 24-tone tuning system, similar to the ... -
Antı̇k Yunan Modları İle Makamların Karşılaştırılmalı İncelenmesı̇ ve Arp İcrası İle Örneklenmesi
(Güzel Sanatlar Enstitüsü, 2022-08-16)In this study, the details of the Ancient Greek sound system and theory, namely the characteristics of the modes (harmonai), the tunings and melody organizations of the periodic instruments will be examined, and the musical ... -
Beethoven Coda’larına Analitik Bakış: Erken Dönem Piyano Sonatlar
(Güzel Sanatlar Enstitüsü, 2020)Coda can be described as "the part added to the end of a piece or a movement to strengthen the feeling of ending after a work or chapter” and one of the most important forms that Coda used in effectively is the ... -
Beethoven Op.30, No.2: Tarihsel Ve Teorik Zeminde Bir Performans Analizi Örneği Umut Can Ergörün Yüksek Lisans Tezi Ankara,
(Güzel Sanatlar Enstitüsü, 2018)Music performance analysis is a discipline which examines live or recorded music. Interpretation differences on the same work involve a series of details which cannot be explained verbally . This caused interpretation ... -
Beethoven'ın Orta Dönem Piyano Sonatlarında Gelişme Bölümlerinin Tematik Analizi
(Güzel Sanatlar Enstitüsü, 2018)AYDIN, Zeynep. Thematic Analysis of Development Sections in Ludwig Van Beethoven’s Middle Period Piano Sonatas, M.Sc. Thesis, Ankara, 2018. This study is an analytical examination of the thematic structure of Development ... -
Devirsel İbadet Modelleri Olarak Semah- Semâ Uygulamalarının Tarihsel Kökenleri
(Ankara Hacı Bayram Veli Üniversitesi, 2018)Cyclic perception is an ancient system of thinking for human beings to explain the God-human relationship and to transfer the principles of this relationship to human life. The rst layer of this system, named ... -
Diyarbakır-Elazığ-Şanlıurfa Kentli Makamsal Müzik Geleneklerine Tarihsel Ve Analitik Bir Bakış
(Güzel Sanatlar Enstitüsü, 2021-05-28)The cities of Diyarbekir, Harput and Urfa, with their known names in history, have been the important centers of Anatolia and Upper Mesopotamia in terms of makam music. Existing examples of these urban musical traditions ... -
Domenico Scarlatti'nin Klavye Sonatlarında Yabancı Sesli Akor Sınıflandırması: K. 1-150
(Güzel Sanatlar Enstitüsü, 2019-08)Domenico Scarlatti’s unique use of the chords with non-chord tones, which distinguishes the composer distinctly from its contemporaries, can be encountered in many of his keyboard sonatas. Such tone clusters which seem to ... -
Bir Düalite Ekseninde Beş Analiz: Saygun, Opus 76
(Güzel Sanatlar Enstitüsü, 2023)Op. 76 is not only Saygun's last completed work, but also his first and only Piano Sonata. With its characteristics, the work has the potential to reflect the composer's cumulative musical cache; it offers an important ... -
İki Saygun Prelüdünde Ses Organizasyonu
(Güzel Sanatlar Enstitüsü, 2022)In this study, an analysis based on pitch organization has been performed regarding the 3rd and 8th preludes selected from Twelve Preludes on Aksak Rhythms, Op. 45 by Ahmed Adnan Saygun. The method of the study respectively ... -
Johannes Brahms'ın Orkestra Eserlerinde Sonlanma Karakteristiği
(Güzel Sanatlar Enstitüsü, 2020)The nearest point of a subject, exhibiting a time-wise dimension, to audience is the ending. In other words, our final visual or aural contact with the subject is the ending. Therefore, the first thing we recall of a subject ... -
Makam Müziğine Schenkerıan Bakış: Beş Rast Eserin Analizi
(Güzel Sanatlar Enstitüsü, 2020)In this study; a reductive analysis which roots its fundamental approach and terminology in Schenkerian Analysis was developed and applied on five works given in maqam rast by the composers of the peak era of Ottoman-Turkish ... -
Makamsal Ezgi Çekirdeği Tabanlı Bilişim Uygulamaları için Analitik Bir Yöntem Önerisi
(Güzel Sanatlar Enstitüsü, 2022)Melodic nuclei have a suitable structure for algorithmic approach and mathematical modeling. The melodic nuclei method has taken its place in the literature as a "motif centric-nuclei based" makam analysis method, which ... -
Menüetten Scherzoya Evrilme Sürecinde Formun İşlevleri: Beethoven Erken Dönem Piyano Sonatları
(Güzel Sanatlar Enstitüsü, 2022-08-24)In this study, an analysis of the formal functions of the sentences will be carried out on the movements composed in the form of the Minuet/Trio, in the minuet or scherzo genre, of the Op. 2 / 1-3, Op. 7, Op. 10 / 2-3, Op. ... -
Op. 101, 106, 109, 110 Ve 111’den Hareketle, Beethoven’ın Piyano Sonatlarında Gelişme Bölümlerinin Tematik Analizi
(Güzel Sanatlar Enstitüsü, 2018)This study is an analytical review of the thematic structure of Development sections of first movements of Ludwig van Beethoven’s all piano sonatas in the Sonat- Allegro form with reference to Late Piano Sonatas. In the ... -
Samuel Barber'ın Opus 6 Viyolonsel Sonatı'nın İlk Bölümünde Biçimsel Yapı ve Beklenmedik Değişimler
(Güzel Sanatlar Enstitüsü, 2023)In this study, an analysis was carried out on the first movement of the Opus 6 Cello Sonata by Samuel Barber, one of the most prominent American composers of the 20th century, based on formal structure and unexpected ... -
Bir Saygun İmzası: [3,5,3]
(Güzel Sanatlar Enstitüsü, 2016-01-19)According to the available data, the structures [3,5,3], [3,3,5] and [5,3,3] which we identified that Ahmed Adnan Saygun used in his Suite, dated 1931-1932, are repeated many times in a total of his 41 works including the ... -
Saygun Müziğinde Makam Soyutlamaları: Piyano Konçertosu, OP. 34, I
(Güzel Sanatlar Enstitüsü, 2020-11-10)It is clear that every composer, who aims to write new music through using a traditional component, will not authentically use the material and will involve various reflections, impressions, in other words, abstractions ... -
Bir Tutti'ye Motif-Yapı Temelli Analitik Bakış: Gershwin, Fa Majör Piyano Konçertosu, I
(Güzel Sanatlar Enstitüsü, 2019-08)In music, the motif, which can be defined as the smallest building unit with the thematic identity of a work and repeated at many points of the work to which it is related, in the same or differentiated forms, is a vital ...
