Çağdaş Sanatta Varoluş Durumu
Özet
SEVİNÇ, Mustafa . The Issue Of Existence In Contemporary Art. The Report On The Study Of Proficient Work In Art, ANKARA 2018 Applied and theoretical research study named ‘’ The issue of existence in contemporary art’’ go by contemporary art and practice and philosophical perspectives. In the research, philosophical approaches refering to conciousness, body and the various strings of the Earth’s axis, the interaction of art object and how it refers to the external existence are mentioned. The area of investigation is grounded on the co-existence of real time changes in the status of the agent and the way in which the art is expressed. The changes in the position of agent show the frame of relations and make a reference to the different types of esistentialism. The dialouges between God/ agent and agent/objects refer to the facilities of naration that belong to existentalism. Besides the agent’s dissolving the notions such as ego and self, the fact that perceptibility loss of the agent in the framework of sustained relations brings about new historical and spatial perceiving patterns. Under circumstances of the event and occurence, and agent-based discourse exceeding manner of existance breaks the straight timeline of the history and moves the spatial perception to an area of change and transformation where there is no stability. This period makes a reference to temporal and spatial patterns. In this research, to comprehend the existence concept and contemporary existence, they were all investigated in a historical time. When it is considered that art provides a basic domain to specialization process, we can easily say that the change in it’s type of expression sheds light on the whole process.In this context, another accentuated purpose is the analysis of theoretical thinking leading to form language, the interactions and the similarities among the examplary works. In the first section of this search, existential statement was anaylzed to reveal the relations with formal approaches from the point of view of existentialist and Deleuze. In the second section of the first part; The relation of art and existence was discussed over the text of Heidegger and Sartre. In the second part, the formal language of art was tried to be questioned with the theoretical structures taking place in the first part. In this vi research, to comprehend the existence concept and contemporary existence, they were all investigated in a historical time. In this part, lastly, existence statement was discussed thoroughly within the concept of examples given in contemporary art environment. In the third part of study, works proceeding in the line of problem of existance, under the circumstances of motion, occurence and temporariness and works, narrative language of which is annotated on have been investigated in the light of theoretical reflections, in the scope of the study put forward.
