Seramik Sanatında Modle Etkisi

Abstract

Starting from prehistoric times, people have used drawing, a visual language, to convey their inner worlds and experiences. Drawing techniques in the art of painting have become more realistic and detailed over time, and especially with the Renaissance period, it was discovered that illusions of reality could be created with perspective techniques. In the Baroque period following this revolution, diversity in light and shadows came to the fore. Drawing has gained dimension by developing in historical processes, especially with the discovery that light and shadows can be expressed more realistically through modelling. In the modernisation processes, ceramics was handled by the leading painters of the period and met with drawing and gained an important place in the art world. Today, the combination of drawing and ceramic surfaces in ceramic art has become an important form of expression with various illusions in the field of contemporary art while enabling the use of dimensions together. The evaluation of ceramic surfaces through modelling, just like the drawing techniques in the art of painting - as a material that allows the creation of illusions of reality with the inclusion of the third dimension in the subject - has opened doors to different possibilities of expression. It is possible to observe that the drawings applied on ceramic surfaces and forms contribute to the perception of visible or perceived volume; evolving from two dimensions to the third dimension or reduced from three dimensions to two dimensions. As a result, this research on creating dilemmas in inter-dimensional combinations through drawing in ceramic art investigates how contemporary artists use drawings on ceramics, and through several aesthetic analyses on artist samples, it reveals personal examples on the subject by exploring how ceramic artists can create illusions as a result of inter-dimensional combinations and interactions.