Barok Dönemde Bestelenmiş olan Seçilmiş Solo Keman Eserleri'nin İncelenmesi

Abstract

With the Baroque period, instrumental music also showed great progress, and works composed for solo instruments began to multiply. Performers and composers started to apply much more detailed musical ornaments, changed the notation style and started playing instruments with new techniques. Music works have not only a very important place in western classical music, but also they are performed and listened today. Among these works, the works composed for solo violin are quite remarkable and have taken their place among the most preferred ones by the performers. In this article, J. S. Bach's Allemanda from second Partita, Heinrich Ignaz Franz Biber's Passacaglia and Georg Philipp Telemann's Fantasia No.1 each of which are important representatives of the Baroque period, have been studied in terms of form, style, harmony and technique. In addition to informing about the Baroque period and its influence on instrumental music and playing violin techniques in the classical music, biographies of the composers are also briefly mentioned. It is foreseen that the form analysis data obtained as a result of this research will guide the performance of the works.