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Navigating the Middle Road: Sir Walter Scott’s Representation of the Scottish Identity in Marmion: A Tale of Flodden Field and The Lady of the Lake
(Sosyal Bilimler Enstitüsü, 2024)Regarded as the father of the historical novel and recognised for his ground-breaking influence on the genre, Sir Walter Scott played a pivotal role in reinstating Scottish identity amid Britain’s dominance in nineteenth-century ... -
North and South, Dickens’s Great Expectations and Hardy’s Jude the Obscure: A Dialectical Social Criticism
(Sosyal Bilimler Enstitüsü, 2015)Elizabeth Gaskell, Charles Dickens and Thomas Hardy in their novels North and South (1855), Great Expectations (1861) and Jude the Obscure (1895), respectively, represent the conflict between the individuals and society ... -
Orientalist Representation of the East and the Saracens in Middle English Romances
(Sosyal Bilimler Enstitüsü, 2018)The aim of this dissertation is to present the identity creation process of the West through the non-Arthurian Middle English romances of the Middle Ages in line with Edward Said’s theory of Orientalism. In the Middle Ages, ... -
Orientalist Representation of the Saracens and the East in Middle English Romances
(Sosyal Bilimler Enstitüsü, 2018)The aim of this dissertation is to present the identity creation process of the West through the non-Arthurian Middle English romances of the Middle Ages in line with Edward Said’s theory of Orientalism. In the Middle Ages, ... -
Othering Nature in the Australian Novel: Postcolonial Ecocritical Reading of Kate Grenville’s The Secret River and Kim Scott’s That Deadman Dance
(Sosyal Bilimler Enstitüsü, 2021)This thesis aims to discuss the destructive impact of British imperialism on colonised lands and its inhabitants through Kate Grenville’s The Secret River (2005) and Kim Scott’s That Deadman Dance (2010) within the scope ... -
"Out of the Maze of Dualisms": Posthuman Space in Mario Petrucci and Alice Oswald's Poetry
(Sosyal Bilimler Enstitüsü, 2020-07-23)In the light of recent theories of posthumanism that promote a non-anthropocentric perspective, this study examines the poems of contemporary British poets Mario Petrucci and Alice Oswald and argues that they write posthuman ... -
Posthuman Bodies in Kazuo Ishiguro’s Never Let Me Go, Indra Sinha’s Animal’s People, and Justina Robson’s Natural History
(Sosyal Bilimler Enstitüsü, 2017)Focusing on three representation of posthuman bodies as cloned bodies in Kazuo Ishiguro’s Never Let Me Go (2005), toxic bodies in Indra Sinha’s Animal’s People (2007), and cyborg bodies in Justina Robson’s Natural History ... -
Posthuman Ecologies in Twenty-First Century Short Animations
(Sosyal Bilimler Enstitüsü, 2015)Defining the animated film genre as a posthuman environment itself, this dissertation strategically employs six short animations, namely, Yousif Al-Khalifa s End of an Era (2011), Steve Cutts s Man (2012), James Lee s ... -
Posthuman Subjectivities in Early British Fantasy Fiction: Jonathan Swift and Lewis Carroll
(Sosyal Bilimler Enstitüsü, 2022)Fantasy literature breaches the great divide between dualities, making marginalised and disempowered nonhuman beings much more audible, visible, and intelligible. In fantasy, the human gets stripped of its so-called ... -
Postnatural Environments: Literary Cartographies of Pollution in Jim Crace’s The Pesthouse, John Burnside’s Glister, and Joseph D’Lacey’s Garbage Man
(Sosyal Bilimler Enstitüsü, 2018-06-07)Drawing attention to the dark side of nature-culture interactions, this dissertation addresses the question of what comes after nature by exploring how toxicity signals the end of pristine, untouched nature, and how nature ... -
Pre-Cartesian Representations of Animals and Humans in Edmund Spenser's The Faerie Queene
(Sosyal Bilimler Enstitüsü, 2024)Edmund Spenser’s (1552/53-1599) eminent sixteenth century epic, The Faerie Queene (1590-1596), truly proves to be a canonical text of English literature as it has received almost constant critical attention from the time ... -
Raymond Williams's “Structures of Feeling” and “Elements of Residual-Emergent-Dominant” as Reflected in the Ethical Formations of the Eighteenth Century: Sarah Fielding’s The Adventures of David Simple, Volume the Last, Oliver Goldsmith’s The Vicar of Wakefield, Laurence Sterne’s A Sentimental Journey Through France and Italy and Henry Mackenzie’s The Man of Feeling.
(Sosyal Bilimler Enstitüsü, 2017)This dissertation looks at the eighteenth-century British sentimental novel tradition as part of a cultural framework in which rivalling ethical theories of the period are represented in a flux of negotiations. Raymond ... -
Re-writing Shakespeare in the Twentieth Century: Edward Bond’s Lear, Arnold Wesker’s The Merchant and Howard Barker’s Gertrude-The Cry in Socio-Historical Context
(Sosyal Bilimler Enstitüsü, 2018-07)This study examines re-writings of Shakespeare in British drama, Edward Bond’s Lear (1971), Arnold Wesker’s The Merchant (1976) and Howard Barker’s Gertrude-The Cry (2002) in relation to the socio-political, historical and ... -
Reading Ian McMillan as a Postmodern British Poet
(Sosyal Bilimler Enstitüsü, 2019-07-06)British poetry that is produced after 1960s coincides with the same period when postmodernism as a philosophical attitude dominated all fields of life and especially literature. The British poet Ian McMillan’s poetry is ... -
Reading The Irısh Family From Kristeva's Perspective: Lost Parents, Abject Children And Melancholy in Edna O'brien's The Country Girls, Patrick Mccabes's Breakfast On Pluta And Colm Tobin’s The Blackwater Lightship
(Sosyal Bilimler Enstitüsü, 2017)Irish mother has always had an allegorical importance in Irish culture and is constructed over the Mother Ireland stereotype. Due to the colonial past of Ireland, Ireland is defined over a land/woman metaphor and the ... -
Redefinition Of Purgation In Samuel Beckett's Dream Of Fair To Middling Women, Mercier And Camier, How It Is
(Sosyal Bilimler Enstitüsü, 2018)Dante Alighieri’s (1265-1321) Divine Comedy (1320) has a substantial influence on Samuel Beckett’s (1906-1989) writing throughout his literary career. Beckett was particularly interested in Comedy’s second part, Purgatory, ... -
“Representation and Evolution of the Monster and Monstrosity in the Late Victorian and Early Edwardian Gothic Novel”
(Sosyal Bilimler Enstitüsü, 2023-07-11)In their origin, monsters are signs of difference and a warning. As the embodiment of difference, monster stands as the signifier of the other, demarcating those whom societal norms deem dangerous or deviant. Providing a ... -
Representations Of The Anthropocene From The Nineteenth Century To The Twenty-First Century: Richard Jefferies’s After London, Or Wild England, Doris Lessing’s Mara And Dann: An Adventure And Adam Nevill’s Lost Girl
(Sosyal Bilimler Enstitüsü, 2019-01-14)Bringing three novels together, namely Richard Jefferies’s post-apocalyptic work After London, or Wild England (1885) from the nineteenth century, Doris Lessing’s postapocalyptic Mara and Dann: An Adventure (1999) from ... -
Representations of the Welfare State Policies in Post-war Britain in John Arden’s Live Like Pigs and The Workhouse Donkey
(Sosyal Bilimler Enstitüsü, 2019)Due to the consequences of World War II, the socio-economic condition of Britain during the post-war period was devastating for the British people. The welfare state policies were initiated to improve the socio-economic ... -
Representatıon Of The Welsh Culture In The Mabınogıon
(Sosyal Bilimler Enstitüsü, 2021)Since the formation of societies, people of each social establishment share a set of common values known as culture that defines who they are, where they come from, and what binds them together, and the Welsh as a Celtic ...