Search
Now showing items 11-20 of 8260
Ludwig van Beethoven'ın Op.55 Mi Bemol Major Ш.Senfonisi'nin Müzikal Form ve Orkestra Şefliği Teknikleri Yönünden İncelenmesi
(Güzel Sanatlar Enstitüsü, 2013)
Ludwig van Beethoven's op. 55 E-Flat Major Third Symphony "Eroica" is a piece with a series of structural thoroughness, emotional richness and traces back to its composer s middle term. The symphony often taking part in ...
Ahmet Kanneci´nin Konser Repertuvarlarının Farklı Değişkenler Açısından İncelenmesi
(Güzel Sanatlar Enstitüsü, 2014)
The aim of this work is to examine the concert repertoires of Ahmet Kanneci in terms of different variables. In the first part, there will be explanations about the works written for guitar during the historical evolution ...
Onur Özmen'in Op.30 Senfoni Adlı Sanat Çalışmasının Bestecilik Tekniği Açısından İncelenmesi
(Güzel Sanatlar Enstitüsü, 2014)
This artwork report which studies Op. 30 Symphony, composed as a work of art, consists of three sections. In the first section, the main idea of the artwork report, its composition logic, contents and aim are stated. In ...
Gitarist Olmayan Bestecilere Klasik Gitarın Teknik ve Müzik Özelliklerinin Tanıtılmasına Yönelik Model Önerisi
(Güzel Sanatlar Enstitüsü, 2013)
In this study, the researcher has tried to explain classical guitar s idiomatic figures in writing and technical qualities to non-guitarist composers.In the first stage, it is attempted to verify the lack of information, ...
Beethoven'ın Erken Dönem Piyano Sonatlarında Gelişme Bölümlerinin Tematik Analizi
(Sosyal Bilimler Enstitüsü, 2014)
This study is an analytical examination of the thematic structure of Development sections of first movements of Ludwig van Beethoven s early piano sonatas. In the Introduction; general structure of the Sonata form, general ...
Franz Liszt Dante Sonatı'nın İncelenmesi
(Güzel Sanatlar Enstitüsü, 2014)
In this thesis Franz Liszt Dante Sonata has been taken in aspect of music history and his life. Life of composer has been examinated elaborately and his relation with the piano was considered form the view of musical history.
Franz Liszt'in Mi Bemol Majör I. Piyano Konçertosunun İncelenmesi
(Güzel Sanatlar Enstitüsü, 2015)
Liszt`s First Piano Concert (E flat Major) takes important place among Liszt`s piano works. Comparing this concert with concerts of composers before Lisztwe can see an important difference in composing stile, music form ...
Cazda Akor Yürüyüşleri Tarihi
(Sosyal Bilimler Enstitüsü, 2013)
In this study, jazz chord progressions have been examined from a historical perspective; and the changes in jazz chord progressions which are in between early jazz and free jazz have been covered. Chord progressions, which ...
Romberg'den Klengel'e 19. Yüzyıl Alman Viyolonsel Okulunda Besteci Viyolonselciler ve 20. Yüzyıl Viyolonselcilerine Etkileri
(Sosyal Bilimler Enstitüsü, 2014)
Until the nineteenth century, the violoncello was primarily considered as background accompaniment instrument. The answer to how the cello was emancipated from its ties to the bass line is found in Dresden, Germany. A group ...
Jan Pieterszoon Sweelinck´ın Toccata´larının Klasik Gitar İle İcra Edilebilmesi Üzerine Bir Araştırma
(Güzel Sanatlar Enstitüsü, 2014)
The aim of this work is to perform toccatas written for organ by the Renaissanceperiod composer Jan Pieterszoon Sweelinck.In the first part, there will be definitions and well-substantiated explanations tocast more light ...