Ara
Toplam kayıt 4, listelenen: 1-4
Domenico Scarlatti'nin Klavye Sonatlarında Yabancı Sesli Akor Sınıflandırması: K. 1-150
(Güzel Sanatlar Enstitüsü, 2019-08)
Domenico Scarlatti’s unique use of the chords with non-chord tones, which distinguishes the composer distinctly from its contemporaries, can be encountered in many of his keyboard sonatas. Such tone clusters which seem to ...
Piyotr İlyiç Çaykovski'nin Op.58 Manfred Senfonisinin Müzikal Karakter, Form ve Orkestra Şefliği Açısından İncelenmesi
(Güzel Sanatlar Enstitüsü, 2019-07-08)
In this study, Op.58 Manfred Symphony, which is rated in the category
of Program Music by Romantic Russian composer Piyotr Ilyich
Tchaikovsky, is examined in terms of musical character, form and
conducting.
Descriptive ...
Onur Türkmen'in Müziğinde Hat Tekniğinin Orkestra Şefliği Açısından İncelenmesi
(Güzel Sanatlar Enstitüsü, 2019-07-08)
The Hat technique is derived from the term defining the art of figurative writing and is a
music technique that must be performed within the same concept and parallel to the same
idea as note writing. In order to create ...
Hatıra Ahmedli Cafer’in Bestelediği “Hocalı” Senfonik Şiiri’nin Müzikal Karakter Yönünden Orkestral İncelemesi
(Güzel Sanatlar Enstitüsü, 2020-02-13)
This study focuses on contemporary composer Ahmedli Cafer's Hocalı Symphonic Poem's examination of symbolist and musical aspect that help orchestral interpretation. Based on the descriptive research and screening method, ...