Çağdaş Türk Müziğinde Hasan Uçarsu’nun Özgün Dili ve Viyola ve Piyano İçin İkili Konçerto Eserinin Şeflik Teknikleri Açısından İncelenmesi

Abstract

This study consists of two parts: Investigating the developmental process of the musical language of composer Hasan Uçarsu, who is one of the important representatives of contemporary Turkish music in the younger generation, and examining the orchestral conducting techniques of the Concerto for Viola and Piano “Bir Aşk Destanı” in terms of technical aspects. The first part focuses on investigating the evolution of Hasan Uçarsu’s unique musical language, exploring his musical development, education and the factors that have influenced his creative output from the beginning of his career up to the present day. By examining the developmental journey of the composer’s compositional style, which has contribued numerous works to the repertoire of Contemporary Turkish Music, the aim of this part is to provide a guiding resource for young musicians who aspire to progress on a similar path The second part delves into a detailed analysis of the orchestral conducting techniques employed in Hasan Uçarsu’s Concerto for Viola and Piano. With a comprehensive exemination supported by markings on the score, this section aims to serve as a guide for aspiring young conductors and conductor candidates who wish to study and interpet the piece effectively. By exploring the technical aspects of conducting this composition, titled “Bir Aşk Destanı”, it aims to provide a valuable resource for those seeking guidance in conducting and researching the work.