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dc.contributor.advisorTaşdelen, Pınar
dc.contributor.authorKurtuluş, Melih
dc.date.accessioned2022-06-22T08:18:12Z
dc.date.issued2022
dc.date.submitted2022-06-01
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Internet Archive. Web. 12 Sep. 2021. Edinger, Edward F. Ego and Archetype: Individuation and the Religious Function of the Psyche. Boston: Shambhala, 1992. Print. Franz, M. L. von. “The Process of Individuation.” Man and His Symbols. Ed. Carl G. Jung. New York: Dell, 1964. 157-254. Print. Gardner, Helen. The Metaphysical Poets. Oxford: Oxford UP, 1967. Print. Grierson, Herbert J. C. Metaphysical Lyrics & Poems of the Seventeenth Century. Oxford: Oxford UP, 1921. Print. ---, The Poems of John Donne. Oxford: Clarendon, 1912. Print. Guibbory, Achsah. “A Sense of the Future: Projected Audiences of Donne and Johnson.” John Donne Journal 2.2 (1983): 11-21. Rpt. in Returning to John Donne. Ed. Achsah Guibbory. London: Routledge, 2015. 49-58. Print. ---, “Donne, Milton, and Holy Sex.” Milton Studies 32 (1995): 3-21. Rpt. in Returning to John Donne. Ed. Achsah Guibbory. London: Routledge, 2015. 107-124. Print. ---, “Donne’s Religious Poetry and the Trauma of Grace.” Early Modern English Poetry: A Critical Companion. Ed. Patrick Cheney, Andrew Hadfield, and Garret A Sullivan. Oxford: Oxford UP, 2006. 229-239. Rpt. in Returning to John Donne. Ed. Achsah Guibbory. London: Routledge, 2015. 201-212. Print. ---, “Erotic Poetry.” The Cambridge Companion to John Donne. Ed. Achsah, Guibbory. Cambridge: Cambridge UP, 2006. 133-148. Print. ---, “Fear of ‘loving More’: Death and the Loss of Sacramental Love.” John Donne’s “Desire of More”: The Subject of Anne More Donne in the Poetry of John Donne. Ed. M. Thomas Hester. Newark: U of Delaware P, 1996. 204-227. Rpt. in Returning to John Donne. Ed. Achsah Guibbory. London: Routledge, 2015. 143-164. Print. ---, Returning to John Donne. London: Routledge, 2015. Print. ---, “‘The Relique,’ The Song of Songs and Donne’s Songs and Sonets.” John Donne Journal 15 (1996): 23-44. Rpt. in Returning to John Donne. Ed. Achsah Guibbory. 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Henderson, Joseph L. “Ancient Myths and Modern Man.” Man and His Symbols. Ed. Carl G. Jung. New York: Dell, 1964. 95-156. Print. Jacobi, Jolande. The Way of Individuation. Trans. R.F.C. Hall. New York: New American Library, 1967. Print. James, William. The Varieties of Religious Experience. New York: Mentor Books. 1958. Print. Labriola, Albert C. “Donne’s ‘The Canonization’: Its Theological Context and Its Religious Imagery.” Huntington Library Quarterly 36.4 (1973): 327-339. JSTOR. Web. 23 Feb 2021. Leishman, J. B. The Monarch of Wit: An Analytical and Comparative Study of John Donne. London: Routledge, 1951. Print. Lewalski, Barbara Kiefer. “‘Is there in truth no beautie?’: Protestant Poetics and the Protestant Paradigm of Salvation.” Protestant Poetics and the Seventeenth-Century Religious Lyrics. Princeton: Princeton UP, 1979. 3-27. JSTOR. Web. 14 Mar. 2021 MacCulloch, Diarmaid. The Later Reformation in England: 1547-1603. Macmillan Education: New York, 1990. Print. Malpezzi, Frances M. “The Weight/lessness of Sin: Donne’s ‘Thou Hast Made Me’ and the Psychostatic Tradition.” South Central Review 4.2 (1987): 70-77. JSTOR. Web. 14 Feb 2022. Marshall, Peter. “John Calvin and the English Catholics.” The Historical Journal 53.4 (2010): 849-870. JSTOR. Web. 6 Apr. 2021. Martin, Catherine Gimelli. “Experimental Predestination in Donne’s Holy Sonnets: Self-Ministry and the Early Seventeenth-Century ‘Via Media’.” Studies in Philology 110.2 (2013): 350-381. JSTOR. Web. 28 Apr. 2020. McGrath, Patrick J. Early Modern Asceticism: Literature Religion, and Austerity in the English Renaissance. Toronto: U of Toronto Press, 2020. Print. Migan, Neal Edmund. “Anxious Martyr: John Donne and the Literature of Self-Sacrifice.” Diss. Purdue U, 2004. Purdue U. Web. 5 Jul. 2021. Nutt, Joe. John Donne: The Poems. London: Macmillan, 1999. Print. Palmer, Michael. Freud and Jung on Religion. London and New York: Routledge, 1997. Papadopoulos, Renos K. “Jung’s Epistemology and Methodology.” The Handbook of Jungian Psychology: Theory, Practice and Applications. Ed. Renos K. Papadopoulos. London and New York: Routledge, 2006. 7-53. Print. Peterson, Douglas L. “John Donne’s ‘Holy Sonnets’ and the Anglican Doctrine of Contrition.” Studies in Philology 56.3 (1959): 504-518. JSTOR. Web. 13 Jan 2022. Plato. The Symposium. London: Penguin, 1999. Print. Rissanen, Paavo. “The Background of Experience Behind Donne’s Secular and Religious Poetry.” Neuphilologische Mitteilungen 76.2 (1975): 282-298. JSTOR. Web. 7 Mar. 2020. Robbins, Robin. The Complete Poems of John Donne. London: Longman, 2010. Print. Rundell, Katherine. Super-Infinite: The Transformations of John Donne. London: Faber & Faber, 2022. Print. Salman, Sherry. “The Creative Psyche: Jung’s Major Contributions.” The Cambridge Companion to Jung. Eds. Young-Eisendrath, Polly and Terrence Dawson. Cambridge: Cambridge UP, 2008. 57-76. Print. Schaer, Hans. Religion and the Cure of Souls in Jung’s Psychology. Trans. R. F. C. Hull. London: Routledge, 1951. Print. Schmidt, Jeremy. Melancholy and the Care of the Soul: Religion, Moral Philosophy and Madness in Early Modern England. Burlington: Ashgate, 2007. Print. Shagan, Ethan H. Introduction. The Rule of Moderation: Violence, Religion and the Politics of Restraint in Early Modern England. Cambridge: Cambridge UP, 2011. 7-29. Print. Sidney, Sir Philip. Astrophel and Stella. London: A.C. McClurg & Co, 1888. Internet Archive. Web. 12 Feb. 2021. Skouen, Tina. “The Rhetoric of Passion in Donne’s Holy Sonnets.” A Journal of the History of Rhetoric 27.2 (2009): 159-188. JSTOR. Web. 7 Mar. 2020. Smith, A.J. Ed. John Donne: The Critical Heritage. Vol. 1. London and New York: Routledge, 2005. Print. Stachniewski, John. “John Donne: The Despair of ‘Holy Sonnets’.” ELH 48.4 (1981): 677-705. JSTOR. Web. 10 Sep. 2021. Stein, Murray. “Individuation: Inner Work.” Journal of Jungian Theory and Practice 7.2 (2005): 1-13. C.G. Jung Institute of New York. Web. 15 Sept. 2020. Stevens, Anthony. “The Archetypes.” The Handbook of Jungian Psychology: Theory, Practice and Applications. Ed. Renos K. Papadopoulos. London and New York: Routledge, 2006. 74-93. Print. Strier, Richard. “The Unity of the Songs and Sonnets.” John Donne in Context. Ed. Michael Schoenfeldt. Cambridge: Cambridge UP, 2019. 68-84. Print. Targoff, Ramie. John Donne, Body and Soul. Chicago: The U of Chicago Press, 2008. Print. Trevor, Douglas. “John Donne and Scholarly Melancholy.” SEL 40.1 (2000): 81-102. Project MUSE. Web. 28 Apr. 2020. Ulanov, Ann Belford. “Jung and Religion: The Opposing Self.” The Cambridge Companion to Jung. Eds. Polly Young-Eisendrath and Terrence Dawson. Cambridge: Cambridge UP, 2008. 315-332. Print. Vaughan, Henry. “The Retreate.” Eight Metaphysical Poets. Ed. Jack Dalgish. London: Heinemann, 1961. 75. Print. Walton, Izaak. The Lives of Dr. John Donne; Sir Henry Wotton; Mr. Richard Hooker; Mr. George Herbert and Dr. Robert Sanderson. York: Wilson, Spence, and Mawman, 1796. Internet Archive. Web. 5 Jan. 2021. Wilcox, Helen. “Devotional Writing.” The Cambridge Companion to John Donne. Ed. Achsah Guibbory. Cambridge: Cambridge UP, 2006. 149-166. Print.tr_TR
dc.identifier.urihttp://hdl.handle.net/11655/26366
dc.description.abstractJohn Donne’s Songs and Sonnets (1633) and Holy Sonnets (1633) collections represent conversions both from Catholicism to Protestantism and from a secular lifestyle to a religious one. They also manifest the psychological outcomes of certain behaviours exhibited during this process. In this respect, this thesis aims to analyse the psychological impacts of the different poetic personae’s various attitudes towards the dichotomy between body and soul within the context of the Jungian individuation process. The term individuation refers to the process during which one is required to separate oneself from the demands of collective consciousness or societal demands by acknowledging one’s shadow side or the qualities that one wishes to abandon to accord with social expectations of oneself. In accordance with the process of individuation, the poetic personae of Songs and Sonnets reject the reformed emphasis on the repression of bodily desires, which was also promoted by the Petrarchan and the Elizabethan sonnet traditions and Neoplatonism. Experiencing a type of love that includes the unity of body and soul provides the lovers of these poems with the feelings of wholeness and transcendence. On the other hand, the religious speakers of Holy Sonnets are on the verge of religious conversion. They view their former selves, who valued carnality in love, as sinners. The persistence of their carnal selves fills them with the fear of eternal punishment in Hell. Thus, they express their wish to rid themselves of their bodily passions. However, they feel inadequate to destroy that unpreferable part of themselves. For this reason, they ask God for his intervention in the same task. Neither God responds to their prayers, nor do their undesirable selves leave them. Accordingly, they find themselves oscillating between two opposing parts of themselves. Hence, this thesis argues that when read within the context of the individuation process, the poetic personae of John Donne’s secular poetry experience the transcendent function while the speakers of his religious poetry suffer from neurosis due to the persistence of their shadow side in their conscious minds.tr_TR
dc.language.isoentr_TR
dc.publisherSosyal Bilimler Enstitüsütr_TR
dc.rightsinfo:eu-repo/semantics/openAccesstr_TR
dc.subjectJohn Donnetr_TR
dc.subjectCarl Gustav Jung
dc.subjectSongs and Sonnets
dc.subjectIndividuation
dc.subject.lcshİngiliz edebiyatıtr_TR
dc.titleA Reading of John Donne's Secular and Religious Poetry within the Context of Jungian Individuationtr_TR
dc.typeinfo:eu-repo/semantics/masterThesistr_TR
dc.description.ozetJohn Donne’ın Songs and Sonnets (Şarkılar ve Soneler) (1633) ve Holy Sonnets (İlahi Soneler) (1633) şiir kitapları hem Katoliklikten Protestanlığa hem de seküler bir yaşam tarzından dini bir yaşam tarzına dönüşümleri yansıtmaktadır. Şiir kitapları bu dönüşüm sürecinde gösterilen belirli davranışların psikolojik sonuçlarını da göstermektedir. Bu bağlamda, bu tez farklı şiir kişilerinin, beden ve ruh arasındaki ikileme karşı takındığı çeşitli tutumların psikolojik etkilerini Carl Gustav Jung’un bireyleşme süreci bağlamında analiz etmeyi amaçlamaktadır. Bireyleşme terimi, kişinin gölge kısmını veya toplumun beklentilerine uymak için vazgeçmek istediği özellikleri tanıyarak kolektif bilincin taleplerinden veya toplumsal taleplerden kendini ayırmasını gerektirdiği süreci ifade eder. Bireyleşme sürecine uygun olarak, Songs and Sonnets’in şiir kişileri, Petrarca ve Elizabeth sone gelenekleri, Neoplatonizm ve Protestanlık tarafından desteklenen aşkta bedensel arzuların bastırılması fikrini reddederler. Beden ve ruhun birleşimini içeren bir aşkın tecrübesi bu şiirlerdeki aşıklara tamlık ve aşkınlık duygularını sağlamaktadır. Diğer taraftan, Holy Sonnets’in şiir kişileri dini anlamda değişimin eşiğindedirler. Aşkta şehevi duygulara değer veren önceki benliklerini günahkar olarak görmektedirler. Şehevi kişiliklerinin varlığı dini şiir kişilerini cehennemde sonsuz cezalandırılma korkusuyla doldurur. Bu sebeple, kendilerini bedensel arzulardan arındırma isteklerini dile getirirler. Fakat, tercih etmedikleri kişiliklerini yok etme konusunda kendilerini yetersiz hissederler. Bu nedenle, Tanrı’dan bu duruma müdahale etmesini isterler. Fakat ne Tanrı dualarına cevap verir ne de istenmeyen kişilikleri onları terk eder. Buna bağlı olarak, şiir kişilikleri kendilerinin iki zıt tarafları arasında bocalamaktadır. Dolayısıyla, bu tez, Jung’un bireyleşme süreci bağlamında okunduğunda, John Donne’ın şiir kişilerinin şairin seküler şiirlerinde aşkınlık durumunu yaşadığını, ancak dini şiirlerinde gölge kişiliklerinin bilinçlerinde kalması nedeniyle nevrozdan muzdarip oldukları iddiasını öne sürmektedir.tr_TR
dc.contributor.departmentİngiliz Dili ve Edebiyatıtr_TR
dc.embargo.termsAcik erisimtr_TR
dc.embargo.lift2022-06-22T08:18:12Z
dc.fundingYoktr_TR


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