İlişkisellik Bağlamında Yeni Arayışlar

Abstract

This study, basically, focuses on the events, reasons and problems behind why contemporary art practices and projects that involve viewer into the process became a widespread creation model in 1990 and after.In the first chapter, interactions, similarities and concepts between 1960 s art movements, an era often referred for describing relationality in the context of experiment, interaction and participation, and art events during 1990 and after that is defined as relational art by Bourriaud are clarified.