Başlık için İletişim Fakültesi listeleme
Toplam kayıt 142, listelenen: 27-46
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Cinsel Yönelim Ayrımcılığının Gündelik Hayat Yansımaları
(Sosyal Bilimler Enstitüsü, 2014)Focusing on the daily life of lesbians and bisexual women, this study deals with the discrimination and violence that women loving women are exposed to in their daily lives, together with a large spectrum of coping practices ... -
Çağdaş Kapitalizm ve Sınıf: Sosyal Paylaşım Ağlarında Maddi Olmayan Emek ve Biyoiktidarı Yeniden Düşünmek
(Sosyal Bilimler Enstitüsü, 2019)This thesis aims to discuss how digital labor is dealt within a mechanism of power as the new type of labor within the modern conditions of capitalism. The rise of the service sector in the framework of the subjective ... -
Çağdaş Kapitalizmde Eğlencenin Profesyonelleşmesi: Türkiye'de Elektronik Spor Oyunculuğu
(Sosyal Bilimler Enstitüsü, 2022)This study is based on observing being a professional e-sports player, considered as a special form of a gaming which is a new field that have been widely affected by the commodification mentality, over the contemporary ... -
Çaycuma Bisiklet Topluluğu’nun Bir Altkültür Örneği Olarak İncelenmesi
(Sosyal Bilimler Enstitüsü, 2019)In the literature, there are studies on BMX and Downhill extreme sports that predominantly reflect the characteristics of youth subcultures. However, there have been no studies on civil cycling groups. Therefore, in this ... -
Çevrim İçi-Dışı Örgütlenme Örüntüleri Bağlamında #Occpychp Hareketi
(Sosyal Bilimler Enstitüsü, 2015)Unfolded in the course of a series of political praxis began withTahrir moment in 2010 which was then spread to the US with#Occupy Wall Street and later resumed with Gezi Park occupation; these movements made a mark with ... -
Çevrimiçi Pazarda "Tüketici Üre-tüketim" ve Metalaştırma: Letgo'da Kullanıcı Deneyimleri
(Sosyal Bilimler Enstitüsü, 2021)Taking a particular interest in the commoditization of online users’ prosumption on Letgo consumer-consumer (C2C) marketplace application, this work inquires mechanisms that enable the commoditization of prosumptive ... -
Çin Halk Cumhuriyeti ve Türkiye Cumhuriyeti’nde Yaratıcı Endüstriler: Beıjıng ve Ankara’da Yaratıcı Endüstrilerin Karşılaştırılması
(Sosyal Bilimler Enstitüsü, 2020)Since the end of the 20th century, the world economy has been in a process of change: commodification of culture and knowledge began to take place, and areas where intellectual property was capital began to develop rapidly. ... -
Çocuksuzluk Tercihinin Söylemsel İnşası
(Sosyal Bilimler Enstitüsü, 2020)EKE, Nurcan Pınar. Discursive Construction of the Childfree Choice, Ph.D Dissertation, Ankara, 2020. Although we live in patriarchal pronatalist societies, and motherhood is an inevitable identity for the construction ... -
Çokkültürlülük Politikaları ve Medya: TRT Kürdi Örneğinde Farklı Dillerde Yayıncılığın Yazılı Medyadaki Yansımaları
(Sosyal Bilimler Enstitüsü, 2019)Mother language is essential for culture to be transmitted from generation to generation. Said quality of language bares rendered it all the more important for differing ethnic and cultural groups, especially in an era ... -
Derviş Zaim Sinemasında Zaman-İmgesi
(Sosyal Bilimler Enstitüsü, 2018)The present study defines and explains Gilles Deleuze’s “the movement-image” and “the time-image” concepts, and to decide whether his films could be classified as a time-image movie, his selective films Waiting For Heaven ... -
Digital Visual Skills Education For Digital Inclusion of Elder Women in the Community
(Elsevier Science Bv, 2012)This paper discusses the use of Digital Storytelling workshop practices for the basic digital visual skill education of elderly women. The DST workshop that was run by the authors provided the environment to experiment ... -
Dijital Çağda İzleyiciliğin Değişimi ve Dönüşümü: The Irishman Örneği
(Sosyal Bilimler Enstitüsü, 2022)In this thesis, the change and transformation of today's audience habits and viewing patterns are examined through digital platforms and The Irishman (Scorse, 2019). In the study, based on how The Irishman is watched and ... -
Dijital Ekonomi veya Endüstri 4.0 mı? Tüketicinin Üretici olarak Emek Gücüne Dönüşmesi Olgusu
(Efil Yayınevi, 2016) -
Dijital Oyuncuların Gündelik Hayat Pratikleri ve Dijital Oyuncu İmgesi
(Sosyal Bilimler Enstitüsü, 2023-01)This thesis mainly focuses on importance of the gaming activity in the everyday life of gamers and how they produce meanings from the advertisements that are aim gamers. The starting point of this study can be expressed ... -
Discussing Homonormative Power Relations: Drag Queens in Turkey
(Sosyal Bilimler Enstitüsü, 2023-03-09)The aim of this study is to fill the gap of normativity discussions which is specifically based upon homonormativity, and its power relations in the context of Turkey. The study brings an understanding to culturally created ... -
Emek Pazarı ve Kimliklenme İlişkisi: İzmir Urla Sıra Mahallesi Romanları Örneği
(Sosyal Bilimler Enstitüsü, 2019)This study focuses on the labour markets impact on Roma identity. The novel question this study addresses is how the Roma living in Sıra neighbourhood (Urla-Izmir, Turkey), which is a hypergetto, perceive the labour ... -
Ethical Issues In Health Communication: Health-Related News Sourcing Practices
(Elsevier Science Inc, 2018) -
Etnik Sınırlarda Gezinmek: Haymanalı Kürtlerin Kimliklenme ve Kültürlerarası İletişim Pratikleri
(Sosyal Bilimler Enstitüsü, 2017-06)This study focuses on grasping the relationship between concepts of culture, identity and ethnicity alongside dynamics of intercultural communication. In this direction, it has been analyzed how ethnic boundaries are ... -
Film Endüstrisinin Ve Sinema Kültürünün Gelişmesinde Busan Film Komisyonu’nun Rolü
(Moment Dergi, 2018-06-15) -
Flanözün Sanatı: Fotoğraflarla Otoetnografik Bir Yürüyüş
(Sosyal Bilimler Enstitüsü, 2021)The protagonist of this work is the flâneuse. Since it was originally interpreted by the inverse of the concept of the flâneur in terms of gender, in order to reach her, the figure of flâneur that corresponds to the ...