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dc.contributor.advisorÖzüm, Aytül
dc.contributor.authorÇolak, Olcay
dc.date.accessioned2017-02-27T10:59:57Z
dc.date.available2017-02-27T10:59:57Z
dc.date.issued2017
dc.date.submitted2017-01-20
dc.identifier.citationWORKS CITED Primary Sources Fielding, Sarah. The Adventures of David Simple & Volume the Last. Oxford: Oxford UP. 1969. Print. Goldsmith, Oliver. The Vicar of Wakefield. New York: Oxford UP, 2006. Print. Mackenzie, Henry. The Man of Feeling, New York: Oxford, UP, 2009. Print. Sterne, Laurence. A Sentimental Journey Through France and Italy. London: Oxford UP, 1968. Print. Secondary Sources Addison, Joseph. “Coffee House Rumours.” Eighteenth-Century Prose 1700-1780. Ed. D.W. Jefferson. Middlesex: Penguin, 1956. 202-06. Print. Anchor, Robert. The Enlightenment Tradition. New York: Harper, 1967. Print. Anderson, Howard. “A Version of Pastoral: Class and Society in Tristram Shandy.” SEL 1500-1900 7.3. (1967): 509-29. Jstor. Web. 05 Mar. 2015. Armstrong, Nancy. Desire and Domestic Fiction: A Political History of the Novel. New York: Oxford UP, 1987. Print. Baker, Ernest A. The History of the English Novel: 5. New York: Barnes, 1975. Print. 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dc.identifier.urihttp://hdl.handle.net/11655/3226
dc.description.abstractThis dissertation looks at the eighteenth-century British sentimental novel tradition as part of a cultural framework in which rivalling ethical theories of the period are represented in a flux of negotiations. Raymond Williams's theory of culture relates that cultural changes are never final, and they are perpetually confronted by emergent and residual forces. The sentimental novel internalizes the tensions between the emergent commercial ethics based on self-interest and the residual alternative ethics centred around communal interest. Self-interest and rationalization of ethics were destroying traditional human relations and redefining human nature. In reaction, Sarah Fielding, Oliver Goldsmith, Laurence Sterne and Henry Mackenzie offered a resistant space in their novels, through which they partially recreated the communal values of the rural estate of the feudal system. Assuming the traditional protectionism of the landed-gentry, the characters in their novels defied the reductionist, alienated and commodified human relations. Their residual alternative ethics was a political reaction and resistance. In conclusion, based on the references to the selected novels of the mentioned writers, this dissertation re-evaluates that the eighteenth-century sentimental novel tradition represents plurality by giving a voice to the dispossessed and marginalized people, egalitarianism by promoting the re-distribution of the capital and social ethics for establishing a meaningful change in society.tr_TR
dc.description.tableofcontentsTABLE OF CONTENTS KABUL VE ONAY..........................................................................................................i BİLDİRİM.......................................................................................................................ii YAYIMLAMA VE FİKRİ MÜLKİYET HAKLARI BEYANI ........ ........................iii ETİK BEYAN...................... ..........................................................................................iv ACKNOWLEDGEMENTS............................................................................................v ÖZET...............................................................................................................................vi ABSTRACT....................................................................................................................vii TABLE OF CONTENTS..................... .......................................................................viii INTRODUCTION...........................................................................................................1 CHAPTER I Searching For A Communal Existence Through Ethical Validation in Sarah Fielding's The Adventures Of David Simple And Volume The Last......................86 CHAPTER II Restoration Of The Communal Ethics in Oliver Goldsmith's The Vicar Of Wakefield...................................................................................................................132 CHAPTER III A Pilgrimage To A Residual-Ethical Past: Laurence Sterne's A Sentimental Journey Through France And Italy...........................................................164 CHAPTER IV Disintegration Of The Rural-Communal Ethics in Mackenzie's The Man Of Feeling..............................................................................................................193 CONCLUSION............................................................................................................218 WORKS CITED..........................................................................................................226 APPENDIX 1 Dissertation Originality Reports...........................................................236 APPENDIX 2 Ethic Board Waiver Forms....................................................................238tr_TR
dc.language.isoentr_TR
dc.publisherSosyal Bilimler Enstitüsütr_TR
dc.rightsinfo:eu-repo/semantics/openAccesstr_TR
dc.subjectOn Sekizinci Yüzyıl Duygusalcı Roman, Duygusalcılık, Raymond Williams, Etik, Sarah Fielding, Oliver Goldsmith, Laurence Sterne, Henry Mackenzietr_TR
dc.titleRaymond Williams's “Structures of Feeling” and “Elements of Residual-Emergent-Dominant” as Reflected in the Ethical Formations of the Eighteenth Century: Sarah Fielding’s The Adventures of David Simple, Volume the Last, Oliver Goldsmith’s The Vicar of Wakefield, Laurence Sterne’s A Sentimental Journey Through France and Italy and Henry Mackenzie’s The Man of Feeling.tr_TR
dc.typeinfo:eu-repo/semantics/doctoralThesistr_TR
dc.description.ozetBu tez on sekizinci yüzyıl Britanya duygusalcı roman geleneğini, çekişmeleri süren iki etik kuramın temsil edildiği bir kültürel referans sisteminin parçası olarak görmektedir. Raymond Williams'ın kültür teorisi, kültürel değişikliklerin hiçbir zaman sona ermeyeyeceğini ve sürekli yükselen ve kalıntısal güçlerle karşı karşıya kalınacağını ifade eder. Duygusalcı roman öz-çıkara dayalı yükselen ticari etikle toplum çıkarını önde tutan kalıntısal alternatif etik arasındaki gerginliği içselleştir. Öz-çıkar ve etiğin rasyonelleşmesi geleneksel insan ilişkilerinde yıkıma yol açarken insan doğasını da yeniden tanımlamaktadır. Buna tepki olarak Sarah Fielding, Oliver Goldsmith, Laurence Sterne ve Henry Mackenzie, romanları aracılığıyla, feodal sistemin kırsal düzenindeki toplumsal değerleri kısmen yeniden canlandırdıkları dirençli bir alan oluşturmuşlardır. Romanlarındaki karakterler, feodal toprak sahiplerinin geleneksel esirgemeciliğini üstlenerek, insan ilişkilerindeki indirgemeciliğe, yabancılaşmaya ve ticarileşmeye karşı çıkmışlardır. Savundukları kalıntısal alternatif etik, politik bir tepki ve direnç oluşturmuştur. Sonuç olarak, değinilen yazarların seçili romanlarına yapılan referansları temel alarak, bu tez on sekizinci yüzyıl duygusalcı roman geleneğini temsil ettiği mülksüzleştirilmiş ve marjinalleştirilmiş insanların sesini duyurarak yaptığı çoğulculuk, sermayenin tabana yayılmasınından yana çıkarak yarattığı eşitlikçilik ve toplumda anlamlı bir değişiklik oluşturacak sosyal etik açısından yeniden değerlendirmektedir.tr_TR
dc.contributor.departmentİngiliz Dili ve Edebiyatıtr_TR


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