In this study which focuses on the cinema-going experiences in 1960s and 1970s of Turkey and the way how these experiences are remembered today, it is emphasized that cinema-going is a social and cultural practice. New ...

Using the concept of “time-image” introduced by Gilles Deleuze and of “chronotope” introduced by Mikhail Bakhtin, this study examines the cinematographic time regime constructed in steppe and country films of post-1990 ...

In this study, it will be discussed how and why technophobia emerged in dystopian science fiction movies produced after the year 2000. The discussion is initiated based on the assumption that the primary source of fear in ...

This thesis focuses on how representations of disabled women in the post-2000s Turkish cinema are received by women with lived experiences of disability, what discourses they engage when interpreting these representations, ...

In this study, it is dealt with Cinema of Turkey films directed by women after 2010. The films of female directors selected as samples were analyzed with the perspective of women’s cinema. By examining the factors that ...

This study examines a political line of mourning that strives to include the mourning of those deemed unmournable in the public sphere. It challenges attempts to silence and marginalise mourners during the AIDS crisis that ...

This study aims to understand the role of representations in the mainstream media in the production of moral panic regarding online gaming addiction. For this reason, it is examined how the representations of online game ...

This study focuses on the question of how Anatolian pop/rock music was situated in social memory in 1960’s and 1970’s. By placing social memory, popular memory, and cultural/communicative memory at the core of the theoretical ...

In this study, In this study, the viewpoints and experiences of 32 women from diverse backgrounds have been studied to develop a perspective on the place of motherhood in the construction of femininity. Emotional investments ...

There has been a transformational narrative of the fact that, with the commencement of tourism in Beypazarı, women began to sell products such as wrapping, baklava, bazlama, which they produced in their homes, on benches ...