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Toplam kayıt 7, listelenen: 1-7
Operalarda Yer Alan Seçilmiş Solo Keman Partilerinin İncelenmesi
(Güzel Sanatlar Enstitüsü, 2021-06)
In this study, outstanding violin solos (concertmaster solos, duo solos, ensemble solos) in the literature of German, Italian, French and Turkish opera were examined and situations such as strengthening the expression, ...
Eduard Tubin Kontrabas Konçertosu ve İcrasındaki Zorluk Dereceleri’nin Ölçümü
(Güzel Sanatlar Enstitüsü, 2021-06)
The double bass concerto, written by Estonian composer Eduard Tubin in 1948, greatly contributed to double bass repertoire. It can be said that this work, which is in the repertoires of musicians playing double bass today ...
Katalan Viyolonselci Gaspar Cassadó’nun İcracı, Besteci Ve Uyarlayıcı Yönleriyle İncelenmesi
(Güzel Sanatlar Enstitüsü, 2020-12-01)
Gaspar Cassadó (1897-1966), who was born in Barcelona was one of the most important
cellists with Catalan origin following Pau Casals, is not well recognized today. The main
reason of this is that there are almost no ...
Ludwig Van Beethoven’in Op..24 No. 5 Fa Majör Piyano ve Keman İçin “İlkbahar” Sonatının Formal Analizi
(Güzel Sanatlar Enstitüsü, 2017)
With his op. 24 it is the first time that Beethoven added the Scherzo-Trio movement to
his piano and violin sonatas and composed a four-movement sonata for piano and violin.
In addition, he gave the same importance to ...
Yalçın Tura Viyolonsel Konçertosunun Müzik Formu ve İcra Teknikleri Açısından İncelenmesi
(Güzel Sanatlar Enstitüsü, 2023-09-25)
This research aims to provide information in terms of music stucture and playing techniques and its composer for cellists, cello teachers, educators, and researchers who want to interpret Yalçın Tura’s cello concerto. The ...
J. S. Bach'ın Bwv 1003 Numaralı Solo Keman Sonatı'na Farklı Stilistik Yaklaşımlar Üzerine Karşılaştırmalı Bir Performans Analizi
(Güzel Sanatlar Enstitüsü, 2023-03-07)
In today's world, where "new" music is rarely included in concert programs compared to "old" music, early music interpretation as a concept is becoming a more popular phenomenon. It is not always possible to deduce how ...
Barok Dönem Müziğinin Stil Özellikleri Ve Johann Sebastian Bach’in “Bwv 1017 Do Minör Keman-Harpsichord” Sonatının İncelenmesi ve Günümüzde Yorumlanması
(Güzel Sanatlar Enstitüsü, 2024-04-05)
Today, how Baroque music should be played and whether the Baroque Period
influenced today's musical styles is still a matter of debate. Especially when we look
at J.S.Bach's violin works, the vibrato technique, which is ...