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Toplam kayıt 32, listelenen: 1-10
Alexander Konstantinovich Glazunov’un Yaşamı ve Opus 82 La Minör Keman Konçertosu’nun İncelenmesi
(Güzel Sanatlar Enstitüsü, 2015)
Alexander Konstantinovich Glazunov, who was born in St. Petersburg on 10 August 1865, is one of the last representatives of Russian romantic music. He followed in the footsteps of his tutor Rimski-Korsakov and by staying ...
Bela Bartok'un Keman Eserleri Birinci Keman Konçertosunun Müzik ve Çalma Tekniği Yönünden İncelenmesi
(Sosyal Bilimler Enstitüsü, 2012)
The report examines the life of Béla Bartók, one of the major composers of the twentieth century, and his first violin concerto in terms of music and playing techniques. After a brief statement of the composer‟s life story ...
Sergei Prokofiev'ın (Do Majör Op. 119) Viyolonsel Sonatının Form ve Viyolonsel Tekniği Açısından İncelenmesi
(Sosyal Bilimler Enstitüsü, 2013)
Sergei Prokofiev is one of the great composers of the 20th century and his music reflects full of energy, creative spirit, coherent and joy of life. The strict adherence to the composer's musical traditions and his creativity ...
Romberg'den Klengel'e 19. Yüzyıl Alman Viyolonsel Okulunda Besteci Viyolonselciler ve 20. Yüzyıl Viyolonselcilerine Etkileri
(Sosyal Bilimler Enstitüsü, 2014)
Until the nineteenth century, the violoncello was primarily considered as background accompaniment instrument. The answer to how the cello was emancipated from its ties to the bass line is found in Dresden, Germany. A group ...
Barok Müziğinde Dans Formu Ve Bach'ın "Bwv 1002" Numaralı Partitası
(Güzel Sanatlar Enstitüsü, 2018-10-22)
The dances that form the partitas which Bach has written for solo violin, although they have taken their names from the movement-based (actional) dances of the era, they carry qualities of a highly original masterpiece ...
Lajos Montag Kontrabas Metodu'nun (1) Teknik Açıdan İncelenmesi
(Güzel Sanatlar Enstitüsü, 2018)
ABSTRACT
KESKİN, Seçil İrem. A Technical Anaylsis of Lajos Montag Double Bass Method (1)
Master of Arts Thesis, Ankara, 2018.
This research, is designed to study the method of playing double bass techniques
written by ...
İgor Stravınsky’nin Re Majör Keman Konçertosu’nun, Keman Çalma Teknikleri Açısından İncelenmesi
(Güzel Sanatlar Enstitüsü, 2019)
Igor Stravinsky is known as one of the artists who opened and led the Neo-Classical period. By invigorating Baroque and Classical period materials, the perspective he brought to the 20. Century made him quite famous in ...
Paul Hindemith'in Hayatı ve Kontrabas Sonatının İncelenmesi
(Güzel Sanatlar Enstitüsü, 2018)
Paul Hindemith, who is one of the most important composers of 20th century
music, is a worldwide composer. He applied his own system by making
innovations in harmony and tonality system. He has innovated his harmony ...
Carl Stamıtz’in Re Majör Viyola Konçertosu ve Müzikte Klasik Dönem
(Güzel Sanatlar Enstitüsü, 2018-10-25)
Even though the classical period is shorter than other periods, it has been the scene of radical changes in the history of music. With the great changes in musical forms and orchestral structure, the ornate and exaggerated ...
Johann Sebastian Bach’ın Sol Minör Viola Da Gamba ve Klavsen Sonatndaki Sembollerin İncelenmesi
(Güzel Sanatlar Enstitüsü, 2019)
Johann Sebastian Bach rearranged a trio originally written for two flutes and bass and composed three sonatas for viola da gamba and harpsichord. According to Spitta, the g minor sonata, which is the third one of viola da ...