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Romberg'den Klengel'e 19. Yüzyıl Alman Viyolonsel Okulunda Besteci Viyolonselciler ve 20. Yüzyıl Viyolonselcilerine Etkileri
(Sosyal Bilimler Enstitüsü, 2014)
Until the nineteenth century, the violoncello was primarily considered as background accompaniment instrument. The answer to how the cello was emancipated from its ties to the bass line is found in Dresden, Germany. A group ...
Katalan Viyolonselci Gaspar Cassadó’nun İcracı, Besteci Ve Uyarlayıcı Yönleriyle İncelenmesi
(Güzel Sanatlar Enstitüsü, 2020-12-01)
Gaspar Cassadó (1897-1966), who was born in Barcelona was one of the most important
cellists with Catalan origin following Pau Casals, is not well recognized today. The main
reason of this is that there are almost no ...