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Toplam kayıt 118, listelenen: 61-70
Orientalist Representation of the Saracens and the East in Middle English Romances
(Sosyal Bilimler Enstitüsü, 2018)
The aim of this dissertation is to present the identity creation process of the West through the non-Arthurian Middle English romances of the Middle Ages in line with Edward Said’s theory of Orientalism. In the Middle Ages, ...
Orientalist Representation of the East and the Saracens in Middle English Romances
(Sosyal Bilimler Enstitüsü, 2018)
The aim of this dissertation is to present the identity creation process of the West through the non-Arthurian Middle English romances of the Middle Ages in line with Edward Said’s theory of Orientalism. In the Middle Ages, ...
Raymond Williams's “Structures of Feeling” and “Elements of Residual-Emergent-Dominant” as Reflected in the Ethical Formations of the Eighteenth Century: Sarah Fielding’s The Adventures of David Simple, Volume the Last, Oliver Goldsmith’s The Vicar of Wakefield, Laurence Sterne’s A Sentimental Journey Through France and Italy and Henry Mackenzie’s The Man of Feeling.
(Sosyal Bilimler Enstitüsü, 2017)
This dissertation looks at the eighteenth-century British sentimental novel tradition as part of a cultural framework in which rivalling ethical theories of the period are represented in a flux of negotiations. Raymond ...
Shakespeare’S Satirical Representation of the Elizabethan Court and the Nobility in His English History Plays
(Sosyal Bilimler Enstitüsü, 2016)
Late Elizabethan society was marked with the growing discontent about socio-economic failures resulting from the failure of crops, high inflation and riots. The scarcity of financial resources of the royal patronage led ...
Medieval Self-Fashioning: Identity Performances in Chaucer’s Canterbury Tales
(2016-03-02)
The fourteenth century was a period of transformation, in which the social, political, economic and cultural changes led to changes in the social hierarchy of medieval England. These changes also influenced the way medieval ...
Medieval Self-Fashioning: Identity Performances in Chaucer’S Canterbury Tales
(Sosyal Bilimler Enstitüsü, 2016)
The fourteenth century was a period of transformation, in which the social, political, economic and cultural changes led to changes in the social hierarchy of medieval England. These changes also influenced the way medieval ...
The Discord Between the Elements and Human Nature: Ecophobia and Renaissance English Drama
(Sosyal Bilimler Enstitüsü, 2018-06-01)
Pointing to the ecophobic psyche prominent in social practices by means of the textual portrayals of selected Renaissance plays, this dissertation aims to examine how the physical environment is taken under human control ...
THE CHANGING PORTRAYALS OF GAY AND QUEER IDENTITIES IN JULIAN MITCHELL’S ANOTHER COUNTRY, JONATHAN HARVEY’S BEAUTIFUL THING AND MARK RAVENHILL’S MOTHER CLAP’S MOLLY HOUSE
(Sosyal Bilimler Enstitüsü, 2018)
Even in the earliest and most coded forms, the representations of homosexuality in British drama reflected the social, political and cultural perceptions of homosexuality beyond the plays and contributed to their dissemination. ...
Revisiting Shakespeare's Problem Plays: The Merchant of Venice, Hamlet and Measure for Measure
(Sosyal Bilimler Enstitüsü, 2017)
The features which make Julius Caesar (1599), Hamlet (1599-1601), All’s Well That Ends Well (1601-1602), Troilus and Cressida (1603), Measure for Measure (1603), Antony and Cleopatra (1607) and Timon of Athens (1607-1608) ...
Rethinking Utopia as Dystopia: Arthur C. Clarke’S Childhood’S End and Robert Graves’S Seven Days in New Crete
(Sosyal Bilimler Enstitüsü, 2016)
A close look into utopian fiction, a narrative born out of the search for a better state of existence, shows that perfection and freedom are merely the appearances; these texts reveal a society that is controlled and ...