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Now showing items 91-100 of 117
Posthuman Subjectivities in Early British Fantasy Fiction: Jonathan Swift and Lewis Carroll
(Sosyal Bilimler Enstitüsü, 2022)
Fantasy literature breaches the great divide between dualities, making marginalised and disempowered nonhuman beings much more audible, visible, and intelligible. In fantasy, the human gets stripped of its so-called ...
Posthuman Bodies in Kazuo Ishiguro’s Never Let Me Go, Indra Sinha’s Animal’s People, and Justina Robson’s Natural History
(Sosyal Bilimler Enstitüsü, 2017)
Focusing on three representation of posthuman bodies as cloned bodies in Kazuo Ishiguro’s Never Let Me Go (2005), toxic bodies in Indra Sinha’s Animal’s People (2007), and cyborg bodies in Justina Robson’s Natural History ...
Posthuman Ecologies in Twenty-First Century Short Animations
(Sosyal Bilimler Enstitüsü, 2015)
Defining the animated film genre as a posthuman environment itself, this dissertation strategically employs six short animations, namely, Yousif Al-Khalifa s End of an Era (2011), Steve Cutts s Man (2012), James Lee s ...
Architectural Psychology in Utopias/Dystopias: William Morris's News from Nowhere, George Orwell's Nineteen Eighty-Four and J.G. Ballard's High-Rise
(Sosyal Bilimler Enstitüsü, 2022)
Perusing three utopian/dystopian novels set in London, namely, William Morris’s News from Nowhere (1891), George Orwell’s Nineteen Eighty-Four (1949), and J.G. Ballard’s High-Rise (1975), this dissertation scrutinises the ...
Tilting at the Windmills of the Eighteenth Century: Representations of British Quixotism in Joseph Andrews, The Female Quixote and The Life and Opinions of Tristram Shandy, Gentleman
(Sosyal Bilimler Enstitüsü, 2022)
Don Quixote (1605) by Miguel de Cervantes, widely regarded as the first example of the
modern novel, has always been a rich source of both formal and contextual impact on the
world cultures and literatures. Despite its ...
A Freudian Reading of Harold Pinter's Early Plays: Neurotic Characters in The Room, The Birthday Party, and The Caretaker
(Sosyal Bilimler Enstitüsü, 2023)
As a post-war dramatist, Harold Pinter (1930-2008) reflects the effects of trauma and suffering of the period following the Second World War through his enigmatic early plays by presenting characters who seemingly fall ...
Postnatural Environments: Literary Cartographies of Pollution in Jim Crace’s The Pesthouse, John Burnside’s Glister, and Joseph D’Lacey’s Garbage Man
(Sosyal Bilimler Enstitüsü, 2018-06-07)
Drawing attention to the dark side of nature-culture interactions, this dissertation addresses the question of what comes after nature by exploring how toxicity signals the end of pristine, untouched nature, and how nature ...
The Problematised Concept of Author-ity in Tim Crouch's My Arm, An Oak Tree and ENGLAND
(Sosyal Bilimler Enstitüsü, 2022)
In the twenty-first century British contemporary and in particular postdramatic theatre, the increasing centralisation of the audience and the spectators’ active participation emerge as controversial subject matters. Tim ...
A Reading of John Donne's Secular and Religious Poetry within the Context of Jungian Individuation
(Sosyal Bilimler Enstitüsü, 2022)
John Donne’s Songs and Sonnets (1633) and Holy Sonnets (1633) collections represent conversions both from Catholicism to Protestantism and from a secular lifestyle to a religious one. They also manifest the psychological ...
A Posthuman Econarratological Reading of Julian Barnes's A History of the World in 10 1/2 Chapters, Peter Ackroyd's The Casebook of Victor Frankenstein and Alan Moore's The Saga of the Swamp Thing
(Sosyal Bilimler Enstitüsü, 2022)
Co-opting posthumanism and the 4EA cognition theory, this study is concerned with the endeavor in econarratology to employ new understandings of existence and the borders of the mind in approaches to narratives. For this ...