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The Creation of Hope as a Spiritual Solution in T.S. Eliot's Four Quartets
(Sosyal Bilimler Enstitüsü, 2017-07-11)
T.S. Eliot, the central figure in Modernist Poetry, follows a more religious tone in his poems after his conversion to Anglo-Catholicism in June, 1927. As a poet who witnessed the despair, hopelessness and chaotic atmosphere ...
The Impact Of The French Revolutıon On Wıllıam Blake’s Poetry And Paıntıng: The Changıng Phases Of Evıl
(Sosyal Bilimler Enstitüsü, 2017-07-11)
William Blake was deeply influenced by the revolutions of the late eighteenth century. The events of the turbulent age, specifically the French Revolution, created various impacts on Blake; and led him to many transitions ...
Reading The Irısh Family From Kristeva's Perspective: Lost Parents, Abject Children And Melancholy in Edna O'brien's The Country Girls, Patrick Mccabes's Breakfast On Pluta And Colm Tobin’s The Blackwater Lightship
(Sosyal Bilimler Enstitüsü, 2017)
Irish mother has always had an allegorical importance in Irish culture and is constructed over the Mother Ireland stereotype. Due to the colonial past of Ireland, Ireland is defined over a land/woman metaphor and the ...
The Evolution of David Hare's Political Drama as Observed in Fanshen, The Secret Rapture and The Absence of War
(Sosyal Bilimler Enstitüsü, 2017)
The aim of this dissertation is to expose how David Hare’s political drama evolves
within the social and political context of three decades, the 1970s, the 1980s and the
1990s and to illustrate this evolution by examining ...
Posthuman Bodies in Kazuo Ishiguro’s Never Let Me Go, Indra Sinha’s Animal’s People, and Justina Robson’s Natural History
(Sosyal Bilimler Enstitüsü, 2017)
Focusing on three representation of posthuman bodies as cloned bodies in Kazuo Ishiguro’s Never Let Me Go (2005), toxic bodies in Indra Sinha’s Animal’s People (2007), and cyborg bodies in Justina Robson’s Natural History ...
Raymond Williams's “Structures of Feeling” and “Elements of Residual-Emergent-Dominant” as Reflected in the Ethical Formations of the Eighteenth Century: Sarah Fielding’s The Adventures of David Simple, Volume the Last, Oliver Goldsmith’s The Vicar of Wakefield, Laurence Sterne’s A Sentimental Journey Through France and Italy and Henry Mackenzie’s The Man of Feeling.
(Sosyal Bilimler Enstitüsü, 2017)
This dissertation looks at the eighteenth-century British sentimental novel tradition as part of a cultural framework in which rivalling ethical theories of the period are represented in a flux of negotiations. Raymond ...
Revisiting Shakespeare's Problem Plays: The Merchant of Venice, Hamlet and Measure for Measure
(Sosyal Bilimler Enstitüsü, 2017)
The features which make Julius Caesar (1599), Hamlet (1599-1601), All’s Well That Ends Well (1601-1602), Troilus and Cressida (1603), Measure for Measure (1603), Antony and Cleopatra (1607) and Timon of Athens (1607-1608) ...
Ted Hughes's Use of Myths in Crow and Prometheus on His Crag
(Sosyal Bilimler Enstitüsü, 2017-01-20)
Hughes’s personal life and the events in the periods in which Crow (1970) and Prometheus on His Crag (1973) were written are influential factors in Hughes’s poetry. Despite the fact that Hughes uses nature and animals as ...
The Phenomenology of the Self and Others in Virginia Woolf's The Waves, Joseph Conrad's Lord Jim, and Ford Madox Ford's The Good Soldier
(Sosyal Bilimler Enstitüsü, 2017)
The aim of this dissertation is to inquire into the conception and understanding of the self as explored in and through its intersubjective relations in the works of three canonical modernist novelists, namely, Virginia ...
Ecological Interactions: The Sense of Place in E. M. Forster’s Howards End, D. H. Lawrence’s The Rainbow, And Virginia Woolf’s Mrs Dalloway
(Sosyal Bilimler Enstitüsü, 2017)
The aim of this dissertation is to examine how E. M. Forster, D. H. Lawrence, and Virginia Woolf’s place-conscious narratives, respectively Howards End (1910), The Rainbow (1914), and Mrs Dalloway (1925) reflect an ...
